Episode 27: Written in Small Objects with the Return of Andrew Marshall

Podcasts – Written In Small Spaces

Check out Episode 27: Written in Small Objects with the Return of Andrew Marshall.

In this episode Tatiana and I get together and begin to determine the conversation going forward, the audience we can reach, the kind of small space we want to cultivate, and then Tatiana sits down with A.W. “Andrew” Marshall who recently published his first collection of stories, Simple Pleasures. They discuss reading for fun, allowing the process to ferment, what she said, a passage of life in a series of stories, the good and the bad days, the objects tucked away and the imagination they influence. So whittle a figurine, squirrel away your attachments, and find the small spaces of your obsession.

https://writteninsmallspaces.files.wordpress.com/2015/08/episode-27-written-in-small-objects.mp3

Buy a copy of Simple Pleasures here.

Here’s what some brilliant people are saying about the book:

Simple Pleasures marks the debut of Andrew Marshall’s curiously addicting fiction. In Marshall’s stories hearts can literally be touched, actually–grasped, and a rolling Head can terrorize a town. Here the power of sex both attracts and repels: lovers fall off a dizzy perch among branches, a plunge that alters the lives of others for decades; the accidental glancing touch of two strangers binds them to an increasingly disorderly life of physical pleasure; and the confluence of a cache of pornographic drawings and mistaken identity allow a man to escape his dreary life. Surprises appear at nearly every turn in these intriguing, original stories, and Marshall orchestrates them beautifully.

—Philip Graham, author of How to Read an Unwritten Language and The Art of the Knock

Amidst the known and predictable elements of this world, A.W. Marshall’s fictions open up uncanny new spaces, ruled by the unexpected, the inexplicable. Thanks to mysterious encounters and turns of event, the very human characters in Simple Pleasures come to experience life as “weirder and full of more possibility” than before. I feel that way too after reading these stories, which startled and moved me with their mix of marvelous strangeness and genuine heartache. After a boy proves his claim that he can touch a girl’s heart—literally reach in and touch it—he muses, “‘Imagine if I can do this now, what I can do later.’” It’s hard not to wonder the same about Marshall himself, given the dark powers and brilliant promise he shows in this scary-good first collection.

—Ellen Lesser, author of The Shoplifter’s Apprentice and The Blue Streak

Simple Pleasures is a mysterium tremendum of stories like little boxes with secret drawers and hidden latches the reader opens with glee, trepidation, and increasing recognition that the great mysteries of existence are best mined in the small moments between humans.

—Mary Rickert, author of The Memory Garden and Map of Dreams

A.W. Marshall has lived in Oklahoma for the last eight years, but grew up on the beaches of Southern California. His work is published or forthcoming in Red Wheelbarrow, TheNewerYork, Fiction Attic, Austin Review, and Vestal Review. In 2005, he wrote and directed the professional theater production of his play, Pan, with Long Beach Shakespeare Company. In 2003, his play, Emptier, was produced at the Hudson Theater in Hollywood and directed by Kristin Hanggi. He received his MFA in playwriting from University of Southern California and a MFA in Writing from Vermont College of Fine Arts. He is co-editor of Piece Meal, an online magazine that exclusively reviews poems and short stories from literary magazines. For the last four years, he has been writing a novel about a half man, half rabbit in 1850’s California called Hendo.