In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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In a unique weekly podcast, Edith Bowman sits down with a variety of film directors, actors, producers and composers to talk about the music that inspired them and how they use music in their films, from their current release to key moments in their career. The music chosen by our guests is woven into the interview and used alongside clips from their films. https://itunes.apple.com/gb/playlist/soundtracking-with-edith-bowman-episode-132-mary-j-blige/pl.u-6mo4l9mhpzG6x https://play.spotify.co ...
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Triple Feature: The Substitute/The Principal/187
Manage episode 480313081 series 109618
Content provided by Mark Radulich. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Mark Radulich or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
We present our review of The Substitute/The Principal/187!
The genre of "high schools in trouble" movies evolved significantly from the late 1980s into the mid-1990s, beginning with a foundation of inspirational redemption dramas and mutating into gritty action thrillers.
It began earnestly with films like Lean on Me (1989), Stand and Deliver (1988), and Dangerous Minds (1995). These movies centered on teachers and administrators fighting to reclaim failing schools, emphasizing personal transformation, student empowerment, and systemic reform. The stakes were social and emotional — saving lives through education, not violence.
However, as the '90s progressed — and as American cultural anxiety about crime, urban decay, and "out-of-control youth" intensified — the "high schools in trouble" narrative hardened. Instead of inspirational teachers winning hearts and minds, later films portrayed literal battles for survival against criminal elements within the schools.
Movies like The Principal (1987), The Substitute (1996), and One Eight Seven (187) (1997) transformed the setting from a battlefield of ideas to an actual battlefield. Authority figures were no longer educators first — they became enforcers. Characters like James Belushi's Principal Latimer, Tom Berenger’s mercenary-turned-substitute Shale, and Samuel L. Jackson's haunted teacher Trevor Garfield had to physically fight gangs, drug dealers, and violent students. Education was almost incidental — survival and order became the goal.
Thus, the genre evolved:
From teachers trying to save troubled students
To teachers trying to survive troubled students
This transition also reflects the broader cultural fears of the 1990s: urban schools were increasingly depicted as hopeless, violent zones where idealism wasn't enough — only strength and retaliation would do.
By the end of the '90s, this cycle largely burned out. The action-heavy "high schools in trouble" subgenre gave way to other approaches, like the more psychological horror of The Faculty (1998) or the satirical dark comedy of Teaching Mrs. Tingle (1999). The idea of schools as battlegrounds didn't disappear, but the way Hollywood depicted them shifted with the times.
Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.
Mark Radulich and his wacky podcast on all the things:
https://linktr.ee/markkind76
also
https://www.teepublic.com/user/radulich-in-broadcasting-network
FB Messenger: Mark Radulich LCSW
Tiktok: @markradulich
twitter: @MarkRadulich
Instagram: markkind76
RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59
…
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The genre of "high schools in trouble" movies evolved significantly from the late 1980s into the mid-1990s, beginning with a foundation of inspirational redemption dramas and mutating into gritty action thrillers.
It began earnestly with films like Lean on Me (1989), Stand and Deliver (1988), and Dangerous Minds (1995). These movies centered on teachers and administrators fighting to reclaim failing schools, emphasizing personal transformation, student empowerment, and systemic reform. The stakes were social and emotional — saving lives through education, not violence.
However, as the '90s progressed — and as American cultural anxiety about crime, urban decay, and "out-of-control youth" intensified — the "high schools in trouble" narrative hardened. Instead of inspirational teachers winning hearts and minds, later films portrayed literal battles for survival against criminal elements within the schools.
Movies like The Principal (1987), The Substitute (1996), and One Eight Seven (187) (1997) transformed the setting from a battlefield of ideas to an actual battlefield. Authority figures were no longer educators first — they became enforcers. Characters like James Belushi's Principal Latimer, Tom Berenger’s mercenary-turned-substitute Shale, and Samuel L. Jackson's haunted teacher Trevor Garfield had to physically fight gangs, drug dealers, and violent students. Education was almost incidental — survival and order became the goal.
Thus, the genre evolved:
From teachers trying to save troubled students
To teachers trying to survive troubled students
This transition also reflects the broader cultural fears of the 1990s: urban schools were increasingly depicted as hopeless, violent zones where idealism wasn't enough — only strength and retaliation would do.
By the end of the '90s, this cycle largely burned out. The action-heavy "high schools in trouble" subgenre gave way to other approaches, like the more psychological horror of The Faculty (1998) or the satirical dark comedy of Teaching Mrs. Tingle (1999). The idea of schools as battlegrounds didn't disappear, but the way Hollywood depicted them shifted with the times.
Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.
Mark Radulich and his wacky podcast on all the things:
https://linktr.ee/markkind76
also
https://www.teepublic.com/user/radulich-in-broadcasting-network
FB Messenger: Mark Radulich LCSW
Tiktok: @markradulich
twitter: @MarkRadulich
Instagram: markkind76
RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59
1006 episodes
ShareManage episode 480313081 series 109618
Content provided by Mark Radulich. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Mark Radulich or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
We present our review of The Substitute/The Principal/187!
The genre of "high schools in trouble" movies evolved significantly from the late 1980s into the mid-1990s, beginning with a foundation of inspirational redemption dramas and mutating into gritty action thrillers.
It began earnestly with films like Lean on Me (1989), Stand and Deliver (1988), and Dangerous Minds (1995). These movies centered on teachers and administrators fighting to reclaim failing schools, emphasizing personal transformation, student empowerment, and systemic reform. The stakes were social and emotional — saving lives through education, not violence.
However, as the '90s progressed — and as American cultural anxiety about crime, urban decay, and "out-of-control youth" intensified — the "high schools in trouble" narrative hardened. Instead of inspirational teachers winning hearts and minds, later films portrayed literal battles for survival against criminal elements within the schools.
Movies like The Principal (1987), The Substitute (1996), and One Eight Seven (187) (1997) transformed the setting from a battlefield of ideas to an actual battlefield. Authority figures were no longer educators first — they became enforcers. Characters like James Belushi's Principal Latimer, Tom Berenger’s mercenary-turned-substitute Shale, and Samuel L. Jackson's haunted teacher Trevor Garfield had to physically fight gangs, drug dealers, and violent students. Education was almost incidental — survival and order became the goal.
Thus, the genre evolved:
From teachers trying to save troubled students
To teachers trying to survive troubled students
This transition also reflects the broader cultural fears of the 1990s: urban schools were increasingly depicted as hopeless, violent zones where idealism wasn't enough — only strength and retaliation would do.
By the end of the '90s, this cycle largely burned out. The action-heavy "high schools in trouble" subgenre gave way to other approaches, like the more psychological horror of The Faculty (1998) or the satirical dark comedy of Teaching Mrs. Tingle (1999). The idea of schools as battlegrounds didn't disappear, but the way Hollywood depicted them shifted with the times.
Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.
Mark Radulich and his wacky podcast on all the things:
https://linktr.ee/markkind76
also
https://www.teepublic.com/user/radulich-in-broadcasting-network
FB Messenger: Mark Radulich LCSW
Tiktok: @markradulich
twitter: @MarkRadulich
Instagram: markkind76
RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59
…
continue reading
The genre of "high schools in trouble" movies evolved significantly from the late 1980s into the mid-1990s, beginning with a foundation of inspirational redemption dramas and mutating into gritty action thrillers.
It began earnestly with films like Lean on Me (1989), Stand and Deliver (1988), and Dangerous Minds (1995). These movies centered on teachers and administrators fighting to reclaim failing schools, emphasizing personal transformation, student empowerment, and systemic reform. The stakes were social and emotional — saving lives through education, not violence.
However, as the '90s progressed — and as American cultural anxiety about crime, urban decay, and "out-of-control youth" intensified — the "high schools in trouble" narrative hardened. Instead of inspirational teachers winning hearts and minds, later films portrayed literal battles for survival against criminal elements within the schools.
Movies like The Principal (1987), The Substitute (1996), and One Eight Seven (187) (1997) transformed the setting from a battlefield of ideas to an actual battlefield. Authority figures were no longer educators first — they became enforcers. Characters like James Belushi's Principal Latimer, Tom Berenger’s mercenary-turned-substitute Shale, and Samuel L. Jackson's haunted teacher Trevor Garfield had to physically fight gangs, drug dealers, and violent students. Education was almost incidental — survival and order became the goal.
Thus, the genre evolved:
From teachers trying to save troubled students
To teachers trying to survive troubled students
This transition also reflects the broader cultural fears of the 1990s: urban schools were increasingly depicted as hopeless, violent zones where idealism wasn't enough — only strength and retaliation would do.
By the end of the '90s, this cycle largely burned out. The action-heavy "high schools in trouble" subgenre gave way to other approaches, like the more psychological horror of The Faculty (1998) or the satirical dark comedy of Teaching Mrs. Tingle (1999). The idea of schools as battlegrounds didn't disappear, but the way Hollywood depicted them shifted with the times.
Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.
Mark Radulich and his wacky podcast on all the things:
https://linktr.ee/markkind76
also
https://www.teepublic.com/user/radulich-in-broadcasting-network
FB Messenger: Mark Radulich LCSW
Tiktok: @markradulich
twitter: @MarkRadulich
Instagram: markkind76
RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59
1006 episodes
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Radulich in Broadcasting
1 Triple Feature: Priscilla, Queen of the Desert/To Wong Foo/Hedwig and the Angry Inch 2:00:07
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Play Later Play Later Lists Like LikedThis Pride Month, Mark Radulich and Sean Comer celebrate the flamboyant, fearless, and fiercely important legacies of three trailblazing films: The Adventures of Priscilla, Queen of the Desert (1994), To Wong Foo, Thanks for Everything! Julie Newmar (1995), and Hedwig and the Angry Inch (2001). While each tells its own unique story—from a desert drag road trip across the Australian outback to a heartfelt exploration of gender identity through glam rock cabaret—they are all interconnected by the historical arc of queer visibility in cinema. These films didn’t just showcase LGBTQ+ characters—they centered them, in eras where that was still an act of rebellion. Priscilla broke ground internationally, putting Australian queer cinema on the global map and normalizing drag culture long before RuPaul’s Drag Race made it mainstream. Just one year later, To Wong Foo introduced Middle America to drag queens with heart, humor, and dignity—starring mainstream Hollywood actors like Patrick Swayze, Wesley Snipes, and John Leguizamo at the height of their careers. Then came Hedwig, a deeply personal indie musical about gender, trauma, and artistic expression, which has since become a cult favorite and a cornerstone of trans representation in modern film and theater. Together, these films reflect the evolution of queer and trans narratives—from coded subtext to full-throated declarations of identity and humanity. More than just products of their time, these movies pushed culture forward. They asked audiences to look beyond binary norms and embrace love, transformation, and self-expression in all forms. Whether through sequins, ballads, or beat-up buses, these stories assert—loudly and proudly—that queer people, drag performers, and trans individuals deserve joy, complexity, and a place in the cinematic canon. And as we revisit them in 2025, their messages feel just as urgent, defiant, and beautiful as ever. Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network. Mark Radulich and his wacky podcast on all the things: https://linktr.ee/markkind76 also https://www.teepublic.com/user/radulich-in-broadcasting-network FB Messenger: Mark Radulich LCSW Tiktok: @markradulich twitter: @MarkRadulich Instagram: markkind76 RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59…
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Radulich in Broadcasting
1 The IndySiders: Worlds Collide (2025) 1:31:12
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Play Later Play Later Lists Like LikedTonight on The IndySiders, Big Sexy Harry Broadhurst and The Heartbreak Kid Mark Radulich are back with another loaded episode! The boys break down Worlds Collide and Money in the Bank, unpacking every thrilling moment and what it all means for the future of WWE. They also dive into the bizarre saga of R-Truth’s sudden firing and shocking return, and discuss CM Punk’s controversial decision to head to Saudi Arabia. As always, expect unfiltered takes, deep analysis, and a few unexpected tangents in the world of professional wrestling! Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network. Mark Radulich and his wacky podcast on all the things: https://linktr.ee/markkind76 also https://www.teepublic.com/user/radulich-in-broadcasting-network FB Messenger: Mark Radulich LCSW Tiktok: @markradulich twitter: @MarkRadulich Instagram: markkind76 RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59…
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Radulich in Broadcasting
1 TV Party Tonight: The Last Of Us (Season 2) 1:50:36
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Play Later Play Later Lists Like LikedThere's a deadly fungus among us! Alexis Hejna from Honeysuckle Rose Creations hosts a roundtable look the second season of the hit TV series based off the hit video game (and its sequel), joined by Jesse Starcher and Jayson Teasely. Let's take a look at this story of vengeance, love, and mushrooms. The second season of the American post-apocalyptic drama television series The Last of Us was originally broadcast on HBO between April and May 2025. Based on the video game franchise developed by Naughty Dog, the season is set twenty-five years into a pandemic caused by a mass fungal infection, which causes its hosts to transform into zombie-like creatures and collapses society. The second season, based on the first half of the 2020 game The Last of Us Part II, follows Joel (Pedro Pascal) and Ellie (Bella Ramsey) five years after the events of the first season, after they have settled into Jackson, Wyoming, with Joel's brother Tommy (Gabriel Luna) and Ellie's friends Dina (Isabela Merced) and Jesse (Young Mazino). HBO renewed The Last of Us for a second season less than two weeks after the series premiered in January 2023. Co-creators Craig Mazin and Neil Druckmann were joined in the writers' room by Halley Gross and Bo Shim; Druckmann wrote and co-directed the games, and Gross co-wrote Part II. Principal photography took place in British Columbia from February to August 2024. Druckmann, Mazin, and Peter Hoar returned to direct the seven episodes alongside newcomers Kate Herron, Nina Lopez-Corrado, Mark Mylod, and Stephen Williams. Gustavo Santaolalla and David Fleming returned to compose the score. Critics felt the season reinforced The Last of Us as the best video game adaptation, praising the action sequences, direction, performances, production design, and writing, though some criticized the pacing and considered the story incomplete. It was nominated for several awards. Across linear channels and Max, the season premiere was watched by 5.3 million viewers on the first day, a 13% increase from the first-season premiere; by May, the series averaged almost 37 million global viewers per episode. Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network. Mark Radulich and his wacky podcast on all the things: https://linktr.ee/markkind76 also https://www.teepublic.com/user/radulich-in-broadcasting-network FB Messenger: Mark Radulich LCSW Tiktok: @markradulich twitter: @MarkRadulich Instagram: markkind76 RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59…
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We present our review of Ballerina (2025)! Ballerina (marketed as From the World of John Wick: Ballerina) is a 2025 American action thriller film, directed by Len Wiseman and written by Shay Hatten. It is the fifth installment in the John Wick franchise, and it is set between the events of John Wick: Chapter 3 – Parabellum (2019) and Chapter 4 (2023). It stars Ana de Armas as the ballerina/assassin Eve Macarro, alongside Gabriel Byrne, Catalina Sandino Moreno, and Norman Reedus. Among those reprising their roles from the previous films include Anjelica Huston, Lance Reddick (in his final screen appearance), Ian McShane, and Keanu Reeves. Lionsgate acquired Hatten's spec script for the spin-off film in 2017, leading to him contributing to the final script for Parabellum and serving as the lead writer for Chapter 4. In October 2019, Wiseman was hired as director; Chad Stahelski, who had directed the previous John Wick films, was confirmed as a producer by May 2020. Ballerina was officially announced in April 2022, with de Armas confirmed as the lead. Principal photography occurred from November 2022 to January 2023 in Prague; additional action sequences were shot starting in February 2024. Ballerina was released in the United States on June 6, 2025. The film received generally positive reviews from critics. Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network. Mark Radulich and his wacky podcast on all the things: https://linktr.ee/markkind76 also https://www.teepublic.com/user/radulich-in-broadcasting-network FB Messenger: Mark Radulich LCSW Tiktok: @markradulich twitter: @MarkRadulich Instagram: markkind76 RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 🎙️ New to streaming or looking to level up? Check out StreamYard and get $10 discount! 😍 https://streamyard.com/pal/d/5361143667490816…
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1 Triple Feature: Drive/Bronson/The Neon Demon 1:42:15
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Play Later Play Later Lists Like LikedTake a drink every time we say, "Naked Greased Up Tom Hardy!" Tonight on a special birthday edition of Triple Feature, Mark Radulich is joined by the other two wise men of The Radulich in Broadcasting Network—Robert Winfree and Jesse Starcher—for a stylish, provocative, and ultra-violent journey through the films of Nicolas Winding Refn (and one by Refn’s spiritual cousin, Winding Hardy). In this episode, the trio revisit their creative bond forged in blood during their review of Too Old to Die Young, and now explore three equally intense visual feasts: Drive, Bronson, and The Neon Demon. They discuss how these films portray masculinity, performance, ambition, and destruction through uniquely artistic lenses, and reflect on the surreal legacy Refn and company have carved into modern cinema. Come for the analysis, stay for the birthday mayhem. Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network. Mark Radulich and his wacky podcast on all the things: https://linktr.ee/markkind76 also https://www.teepublic.com/user/radulich-in-broadcasting-network FB Messenger: Mark Radulich LCSW Tiktok: @markradulich twitter: @MarkRadulich Instagram: markkind76 RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59…
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Radulich in Broadcasting
1 Damn You Hollywood: Karate Kid - Legends 2:12:32
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Play Later Play Later Lists Like LikedWe present our review of Karate Kid: Legends! Karate Kid: Legends is a 2025 American martial arts drama film directed by Jonathan Entwistle and written by Rob Lieber. It is the sixth film in The Karate Kid franchise, serving as a continuation of The Karate Kid (2010) and the television series Cobra Kai (2018–2025). It stars Jackie Chan and Ralph Macchio, both reprising their roles from the franchise, while introducing Ben Wang as the main lead alongside Joshua Jackson, Sadie Stanley, and Ming-Na Wen. It is the first film in the series not to be produced by Jerry Weintraub, who died in 2015. The film was confirmed to be in development in September 2022, with Entwistle set to direct and Lieber set to write the screenplay in November 2023. Casting took place from November 2023 to April 2024. Principal photography took place from April to June 2024. Karate Kid: Legends premiered at the Cinépolis Mitikah in Mexico City, Mexico on May 7, 2025, and was released in the United States by Sony Pictures Releasing on May 30. It received mixed reviews from critics. Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network. Mark Radulich and his wacky podcast on all the things: https://linktr.ee/markkind76 also https://www.teepublic.com/user/radulich-in-broadcasting-network FB Messenger: Mark Radulich LCSW Tiktok: @markradulich twitter: @MarkRadulich Instagram: markkind76 RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59…
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Radulich in Broadcasting
1 TV Party Tonight: Stripperella (2003) 1:14:18
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Play Later Play Later Lists Like LikedTonight on TV Party Tonight, Mark Radulich and Jesse Starcher dive into the outrageous and often forgotten adult animated series Stripperella, created by none other than Stan Lee and starring Pamela Anderson. We explore the show's unique blend of superhero satire, risqué humor, and early 2000s pop culture absurdity. From its edgy animation style to its bizarre plotlines, we ask—was Stripperella ahead of its time or just a weird cultural blip? Tune in as we dust off this forgotten gem and decide if it still has a place in the superhero TV canon. Stripperella debuted on Spike TV in summer 2003 and lasted one season with 13 episodes. Anderson described it as not being a raunchy show, despite obvious double entendres and topless nudity (which was blurred out when shown on Spike TV). Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network. Mark Radulich and his wacky podcast on all the things: https://linktr.ee/markkind76 also https://www.teepublic.com/user/radulich-in-broadcasting-network FB Messenger: Mark Radulich LCSW Tiktok: @markradulich twitter: @MarkRadulich Instagram: markkind76 RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59…
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1 Long Road to Ruin: The Karate Kid Trilogy 2:03:37
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Play Later Play Later Lists Like LikedOn tonight’s episode of Long Road to Ruin, Mark Radulich, Pat Mullin and Sean Comer crane kick their way through The Karate Kid Trilogy. We chart the evolution of Daniel LaRusso’s journey from underdog in the original 1984 classic to his increasingly strained arcs in Parts II and III. The first film captured lightning in a bottle with a perfect mix of heart, mentorship, and underdog triumph. Part II expanded the scope with an Okinawa-set story that deepened Mr. Miyagi’s character but lost some of the first film’s spark. By Part III, the charm was wearing thin, the stakes felt forced, and Daniel-san's journey hit a wall of diminishing returns. Join us as we wax on and off about what made this trilogy iconic—and where it started to fall apart. Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network. Mark Radulich and his wacky podcast on all the things: https://linktr.ee/markkind76 also https://www.teepublic.com/user/radulich-in-broadcasting-network FB Messenger: Mark Radulich LCSW Tiktok: @markradulich twitter: @MarkRadulich Instagram: markkind76 RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59…
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1 On Trial: Lilo & Stitch (2002 vs 2025) 1:28:30
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Play Later Play Later Lists Like LikedOn this episode of On Trial – Civil Court Edition, Alexis Hejna presides over a heartfelt and hilarious comparison between Disney’s beloved animated classic Lilo & Stitch (2002) and its newly released 2024 live-action remake. Joining her at the bench are Lily Radulich and Jonas Radulich, bringing youthful energy, sibling banter, and generational perspective to the courtroom. The trio discusses the emotional depth of the original film, how the themes of found family and alienation are reinterpreted in the remake, and whether the new version holds up to the nostalgic power of the original. From character redesigns to modern storytelling choices, this episode dives deep into what makes Lilo & Stitch endure and evolve across time. It’s Ohana on trial — and everyone has something to say. https://www.etsy.com/shop/HoneysuckleRoseC Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network. Mark Radulich and his wacky podcast on all the things: https://linktr.ee/markkind76 also https://www.teepublic.com/user/radulich-in-broadcasting-network FB Messenger: Mark Radulich LCSW Tiktok: @markradulich twitter: @MarkRadulich Instagram: markkind76 RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59…
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Radulich in Broadcasting
1 Damn You Hollywood: Mission Impossible - The Final Reckoning 2:11:25
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Play Later Play Later Lists Like LikedTonight we present out Mission: Impossible - The Final Reckoning review! Mission: Impossible – The Final Reckoning is a 2025 American action spy film directed by Christopher McQuarrie from a screenplay he co-wrote with Erik Jendresen. The sequel to Mission: Impossible – Dead Reckoning Part One (2023), it is the eighth and final[6] installment in the Mission: Impossible film series. Tom Cruise (who also produced alongside McQuarrie), Hayley Atwell, Ving Rhames, Simon Pegg, Henry Czerny, and Angela Bassett reprise their roles from the previous films. In the film, Impossible Mission Force agent Ethan Hunt (Cruise) and his team unite to prevent the rogue AI known as the "Entity" from unleashing global destruction against humanity. In January 2019, Cruise announced that the seventh and eighth Mission: Impossible films would be shot back-to-back with McQuarrie co-writing and directing both films. Plans for the eighth film later changed in February 2021. Returning and new cast members were announced soon after, including Lorne Balfe, who composed the score for two other films in the franchise, returning to score Final Reckoning, although Balfe later left the production and was replaced by his longtime collaborators Max Aruj and Alfie Godfrey. Filming began in March 2022 in the United Kingdom, with other filming locations including Malta, South Africa and Norway. Production was halted in July 2023 due to the SAG-AFTRA strike, resumed in March 2024, and concluded in November 2024. The film, originally titled Mission: Impossible – Dead Reckoning Part Two, dropped its subtitle in October 2023, and the new subtitle was announced in November 2024. With an estimated budget of $300–400 million, it is one of the most expensive films ever made. The Final Reckoning had its world premiere in Tokyo on May 5, 2025, was screened out of competition at the 78th Cannes Film Festival on May 14, and was theatrically released in the United States on May 23, by Paramount Pictures. The film received positive reviews from critics and has grossed $204 million worldwide, becoming the ninth highest-grossing film of 2025 and the largest opening weekend in the franchise. Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network. Mark Radulich and his wacky podcast on all the things: https://linktr.ee/markkind76 also https://www.teepublic.com/user/radulich-in-broadcasting-network FB Messenger: Mark Radulich LCSW Tiktok: @markradulich twitter: @MarkRadulich Instagram: markkind76 RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59…
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Radulich in Broadcasting
1 Triple Feature: Pump Up the Volume/SFW/SLC Punk 2:04:41
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Play Later Play Later Lists Like LikedTonight on Triple Feature, Mark Radulich, Jesse Starcher, and Mik Wanamaker crank up the angst and dive into three cult classics that capture youthful rebellion, anti-establishment rage, and the search for identity: Pump Up the Volume, S.F.W., and SLC Punk. The trio explores how each film reflects a different flavor of disillusioned youth. Pump Up the Volume stars Christian Slater as a pirate radio DJ inspiring suburban teens to speak up and fight back. S.F.W. (So F***ing What) takes media cynicism to the extreme, with Stephen Dorff as a hostage-turned-reluctant celebrity in a media circus. SLC Punk delivers a wild, stylish deep-dive into Salt Lake City’s punk scene, where Matthew Lillard’s character questions whether rebellion means anything when everyone’s faking it. From angry soundtracks to broken systems, the panel discusses what these films say about youth culture, counterculture, and what happens when the system you hate wants to sell you your own voice back. Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network. Mik’s Spicy Content: https://onlyfans.com/asirencreates Mark Radulich and his wacky podcast on all the things: https://linktr.ee/markkind76 also https://www.teepublic.com/user/radulich-in-broadcasting-network FB Messenger: Mark Radulich LCSW Tiktok: @markradulich twitter: @MarkRadulich Instagram: markkind76 RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59…
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Radulich in Broadcasting
On today’s episode of Comic Stripped, Mark Radulich and Evan Bevins plug into the world of synthetic identity as they compare The Surrogates graphic novel by Robert Venditti and Brett Weldele to its 2009 film adaptation starring Bruce Willis. The original comic explores a near-future society where people live through robotic proxies, raising deep questions about identity, technology, and disconnection from humanity. The film, while keeping the core concept, leans more into action-thriller territory and streamlines the plot for mass appeal. Mark and Evan break down the major story and thematic differences, how the tone shifts from existential sci-fi to Hollywood blockbuster, and whether the adaptation honors or dilutes the source material. It’s comics vs. cinema with big ideas, big changes, and big Bruce Willis energy. Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network. Mark Radulich and his wacky podcast on all the things: https://linktr.ee/markkind76 also https://www.teepublic.com/user/radulich-in-broadcasting-network FB Messenger: Mark Radulich LCSW Tiktok: @markradulich twitter: @MarkRadulich Instagram: markkind76 RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59…
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Radulich in Broadcasting
1 Triple Feature: The Parenting/Holland/Control Freak 1:09:25
1:09:25 Play Later Play Later Lists Like Liked1:09:25
Play Later Play Later Lists Like LikedTonight on Triple Feature, Mark Radulich and Mik Wanamaker dig into three new streaming releases that explore the tension, trauma, and absurdity of family dynamics: The Parenting (Max), Holland (Amazon Prime), and Control Freak (Hulu). First up is The Parenting, a horror-comedy where a young couple’s weekend getaway with their parents takes a supernatural turn. Then it's on to Holland, a slow-burn thriller about secrets, suburbia, and what really lies beneath the surface of a quiet marriage. Finally, they review Control Freak, a darkly funny psychological drama that dives into codependency, manipulation, and unraveling relationships. From dysfunctional families to deadly secrets, Mark and Mik explore what these films say about control, trust, and the chaos behind closed doors. Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network. Mik’s Spicy Content: https://onlyfans.com/asirencreates Mark Radulich and his wacky podcast on all the things: https://linktr.ee/markkind76 also https://www.teepublic.com/user/radulich-in-broadcasting-network FB Messenger: Mark Radulich LCSW Tiktok: @markradulich twitter: @MarkRadulich Instagram: markkind76 RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59…
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Radulich in Broadcasting
1 TV Party Tonight: Apple Cider Vinegar (2025) 1:19:57
1:19:57 Play Later Play Later Lists Like Liked1:19:57
Play Later Play Later Lists Like LikedWe all want to be healthy, but at what cost? Let's take a look at the world of holistic healing and influencers with Alexis Hejna from Honeysuckle Rose Creations and Mark Radulich. Apple Cider Vinegar is a 2025 Australian drama television limited series released on Netflix and produced by See-Saw Films. It stars Kaitlyn Dever and Alycia Debnam-Carey as wellness guru Belle Gibson and Milla Blake, respectively, who use their platforms to promote alternative medicine. Gibson fools her following and the world with a fake cancer diagnosis, while Milla convinces her mother to join her in eschewing scientifically prescribed medical treatment. The series received generally positive reviews. Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network. Honeysuckle Rose Creations: https://www.etsy.com/shop/HoneysuckleRoseC Mark Radulich and his wacky podcast on all the things: https://linktr.ee/markkind76 also https://www.teepublic.com/user/radulich-in-broadcasting-network FB Messenger: Mark Radulich LCSW Tiktok: @markradulich twitter: @MarkRadulich Instagram: markkind76 RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59…
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Radulich in Broadcasting
We present our review of Andor (Season 2)! Andor, also known as Star Wars: Andor and Andor: A Star Wars Story for its second season, is an American science fiction political spy thriller drama television series created by Tony Gilroy for the streaming service Disney+. It is part of the Star Wars franchise and a prequel to the film Rogue One (2016), which itself is a prequel to the original Star Wars film (1977). The series follows thief-turned-rebel spy Cassian Andor during the five years that lead to the events of the two films, exploring how he becomes radicalized against the Galactic Empire and how the wider Rebel Alliance is formed. The second and final season premiered on April 22, 2025, with three episodes released weekly until May 13. The series has received critical acclaim for its writing, performances, cinematography, production values, themes, and its darker, more mature and grounded tone compared to other Star Wars properties. The first season was nominated for three Primetime Emmy Awards including Outstanding Drama Series. Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network. Honeysuckle Rose Creations: https://www.etsy.com/shop/HoneysuckleRoseC Mark Radulich and his wacky podcast on all the things: https://linktr.ee/markkind76 also https://www.teepublic.com/user/radulich-in-broadcasting-network FB Messenger: Mark Radulich LCSW Tiktok: @markradulich twitter: @MarkRadulich Instagram: markkind76 RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59…
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