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Final Cut: F1
Manage episode 494514187 series 1064390
Content provided by Rough Drafts. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Rough Drafts or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
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Manage episode 494514187 series 1064390
Content provided by Rough Drafts. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Rough Drafts or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
On today's episode of Final Cut, Walter Fedczuk and Chase Wassenar hammer out their definition of what it means to be a sport before getting behind the wheel with their discussion of the F1 film. Together, they discuss why you really need to like Brad Pitt to enjoy this movie, how well the film highlights why fans love Formula 1, and whether a better version of this film was possible.
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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