In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Content provided by Alex & Sharon Shaw and Sharon Shaw. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Alex & Sharon Shaw and Sharon Shaw or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
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Manage episode 475188105 series 3378787
Content provided by Alex & Sharon Shaw and Sharon Shaw. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Alex & Sharon Shaw and Sharon Shaw or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
[School of Movies 2025]
A cult favourite hangout movie about working in a CD shop in the mid-90s. This one was directed by Allan Moyle, who previously helmed another music-centric, coming-of-age teen drama that should have been way more of a hit; Pump Up the Volume (1990).
Statistically almost none of you have seen this, as it's the kind of movie you need a good friend to sit you down with after hearing that you've never seen it, and immediately declared "We're watching this!" Well, we are that friend today, and we are going to detail why this one is worthy of love.
It's painfully white, extremely straight and concerns itself with the now-antiquated dichotomy of MTV marketability versus independent spirit, but considering Spotify Killed the Video Star, the themes are still relevant, and the ragtag cast of teens are quirky enough to make this a breezy, endlessly-quotable rewatch. Damn The Man, save The Empire.
481 episodes
Share
Manage episode 475188105 series 3378787
Content provided by Alex & Sharon Shaw and Sharon Shaw. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Alex & Sharon Shaw and Sharon Shaw or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
[School of Movies 2025]
A cult favourite hangout movie about working in a CD shop in the mid-90s. This one was directed by Allan Moyle, who previously helmed another music-centric, coming-of-age teen drama that should have been way more of a hit; Pump Up the Volume (1990).
Statistically almost none of you have seen this, as it's the kind of movie you need a good friend to sit you down with after hearing that you've never seen it, and immediately declared "We're watching this!" Well, we are that friend today, and we are going to detail why this one is worthy of love.
It's painfully white, extremely straight and concerns itself with the now-antiquated dichotomy of MTV marketability versus independent spirit, but considering Spotify Killed the Video Star, the themes are still relevant, and the ragtag cast of teens are quirky enough to make this a breezy, endlessly-quotable rewatch. Damn The Man, save The Empire.
481 episodes
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Similar to School of Movies
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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…
continue reading
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…
continue reading
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continue reading
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continue reading
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