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Holding court with Brian McBrearty, forensic musicologist

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Manage episode 469076721 series 2773523
Content provided by Scoring Notes. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Scoring Notes or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.

If you hear the term “forensic musicologist” and conjure up detectives with fingerprint dusters and a magnifying glass, well, metaphorically you’re not far off. The job of a forensic musicologist is to  apply musical knowledge to questions around copyright, explain  musical facts, and put them into context so that a court can arrive at a decision with the best information available.

Brian McBrearty is a forensic musicologist, and he joins Philip Rothman and David MacDonald to discuss real-world cases of music infringement and the multi-dimensional approach that he takes in his analyses. We tackle the question of music notation and how it plays a role in Brian’s process, and talk tech — including the acceleration in artificial intelligence, both as a potential means of forensic analysis, and as a creator of potentially infringing content.

More on Scoring Notes:

The rights stuff, with Jim Kendrick

  continue reading

148 episodes

Artwork
iconShare
 
Manage episode 469076721 series 2773523
Content provided by Scoring Notes. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Scoring Notes or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.

If you hear the term “forensic musicologist” and conjure up detectives with fingerprint dusters and a magnifying glass, well, metaphorically you’re not far off. The job of a forensic musicologist is to  apply musical knowledge to questions around copyright, explain  musical facts, and put them into context so that a court can arrive at a decision with the best information available.

Brian McBrearty is a forensic musicologist, and he joins Philip Rothman and David MacDonald to discuss real-world cases of music infringement and the multi-dimensional approach that he takes in his analyses. We tackle the question of music notation and how it plays a role in Brian’s process, and talk tech — including the acceleration in artificial intelligence, both as a potential means of forensic analysis, and as a creator of potentially infringing content.

More on Scoring Notes:

The rights stuff, with Jim Kendrick

  continue reading

148 episodes

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