Live Aid remembered – from inside and out – on its 40th birthday

Word In Your Ear

A 40th anniversary special with two of its presenters (Hepworth and Ellen) and old pal and TV critic Boyd Hilton who watched on the day aged 18 (“young, pretentious, idiotic”) and reviews the new BBC documentary. We look back at …

… the ways Live Aid changed television – “not about music but spectacle and scale”.

… would the idea of staging it have ever come about in the world of social media?

… being in the room for the Geldof F-Bomb.

… Ian Astbury smoking on live TV, the concrete mausoleum of the old Wembley Stadium, Concorde, Status Quo and other things that now seem so 1985.

… how Live Aid was the death of the New Romantics – “they don’t work in daylight” – and why Boy George turned it down.

… the footage set to the Cars’ video, the emotional pivot of the day, and the interview with the Ethiopian girl Birhan Woldu in the new documentary.

… how the thin sound of ’80s acts like the Style Council and Ultravox didn’t have the impact of old-school guitar/bass/drums.

… was Live Aid the first live televised rock concert event?

…and fragments of our fading memories – the U2 drama, Adam Ant, Sade, the lost link to Ian Botham, Billy Connolly in tears, acts unwisely playing new singles, Noel Edmonds’ helicopter shuttle, the BBC insisting it “mustn’t feel like a Telethon” – and all achieved without mobile phones.

Plus the return of Oasis, the BBC’s tangle with Neil Young at Glastonbury and the fall-out from the Bob Vylan broadcast.

… and a few Glastonbury moments - Rod Stewart’s cocktail-dress cabaret girls and the 1975’s Matt Healy stumbling on with a fag and a pint of Guinness.

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