Episode 350: Improv and Leveling Up Your Takes
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I’ll be honest, the first time a casting director asked me for three takes in the same vibe, my brain short-circuited. The first one felt okay. The second? I made it louder. The third? I whispered and hoped for divine intervention.
Sound familiar? If you’ve been there, you’re not alone. No one really teaches us how to do this. We just… guess.
But over the years, I’ve learned that “three takes” doesn’t have to be torture. It’s actually an opportunity to show range, subtlety, and intention — if you know where to focus.
My Five Go-To Tools for VarietyHere’s what I rely on:
Change the environment. Close your eyes and imagine where you are. A noisy coffee shop shifts your energy in a completely different way than a quiet office.
Add human sounds. We don’t speak like robots. A breath, a chuckle, a little “mm-hmm” makes your read feel alive.
Play with pauses. I love a pause. It can create tension, warmth, or surprise. Same words, totally different rhythm.
Change your listener. Who am I talking to? A best friend feels different than a five-year-old. A stranger feels different than a coworker.
Shift your motivation. This one’s huge. Maybe I’m trying to inspire. Maybe I’m trying to tease. Same emotion, new motivation — and suddenly the take has layers.
These adjustments keep me from falling into the “loud-soft-whisper” trap. Instead, each take feels intentional.
Why I Lean on ImprovHere’s the secret I wish someone had told me sooner: improv isn’t about being funny. It’s about being present.
When a casting director says, “Make it feel more natural,” what they really mean is, “Stop performing and start reacting.” Improv trains me to do that. It helps me:
Make stronger choices quickly
Stay grounded when I mess up
React honestly instead of overthinking
Give multiple takes that feel genuinely different
As Kristen Wiig said, “Improv is about listening and not trying to be funny. It’s about being honest.” I’ve found that to be absolutely true.
What Fear Taught MeI know improv scares people. It used to terrify me. My brain would scream, “Don’t mess this up. Don’t look stupid.”
But here’s what shifted everything: fear means I care. Fear tells me I’m right at the edge of something interesting. If I can use it, not run from it, that’s where the magic happens.
Now, I remind myself: I don’t have to be clever. I don’t have to be perfect. I just have to be available. And ironically, that’s when my best work happens.
Why This Matters for YouIf you’ve been frustrated by the 1-2-3 take request, know this: it’s not about pleasing the casting gods. It’s about showing them you can be flexible, creative, and real.
With these five tools and an improv mindset, you’ll stop guessing. You’ll start delivering takes that feel grounded and alive — and most importantly, like you.
If you want help practicing this, I’d love to work with you. I offer free 15-minute consults, and I’m always excited to help actors build confidence in the booth and on the mic.
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