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E03. More Fantasy sub-genres & Elftopia

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Manage episode 434748248 series 3593689
Content provided by Laurent & Marie-Noor. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Laurent & Marie-Noor or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.

Tales of the Tome

Our second part of the various Fantasy literature sub-genres we (dis)cover in this segment takes us from Urban Fantasy through Grimdark, to Flintlock Fantasy. Buckle up!

Urban Fantasy

  • Set in a contemporary urban environment
  • Magic and supernatural creatures exist in the modern world, often hidden from the public
  • Examples:

- The Dresden Files, by Jim Butcher

- Rivers of London, by Ben Aaronovitch

- Kate Daniels series, by Ilona Andrews

- October Daye series, by Seanan McGuire

- The Iron Druid Chronicles, by Kevin Hearne

Portal Fantasy

  • Characters travel from the real world to a magical or fantastical world through a portal.
  • Often involves a journey of discovery or adventure in a new world with its own rules and logic.
  • Examples:

- The Chronicles of Narnia, by C.S. Lewis

- Alice's Adventures in Wonderland, by Lewis Carroll

- The Dark is Rising, by Susan Cooper

- The Light Between Worlds, by Laura E. Weymouth

- The Fionavar Tapestry, by Guy Gavriel Kay

Mythic Fantasy

  • Incorporates elements of myth and legend into the narrative.
  • Often draws on classical mythology, folklore, or ancient legends to craft the story.
  • Examples:

- American Gods, by Neil Gaiman

- The Song of Achilles, by Madeline Miller

- The Dark is Rising, by Susan Cooper

- The Light Between Worlds, by Laura E. Weymouth

- The Fionavar Tapestry, by Guy Gavriel Kay

Science Fantasy

  • Blends elements of science fiction and fantasy.
  • Incorporates advanced technology alongside magical or supernatural elements.
  • Examples:

- Dune, by Frank Herbert

- The Hunger Games, by Suzanne Collins

- The Dark Tower, by Stephen King

- Shadowrun, RPG novels

- The Broken Earth Trilogy, by N.K. Jemisin

- Lord of Light, by Roger Zelazny

- Piranesi, by Susanna Clark

- Scythe, by Neil Shusterman

Grimdark

  • A sub-genre of Dark Fantasy that emphasizes bleak, dystopian settings with morally gray characters.
  • High levels of violence, despair, and often a pessimistic worldview.
  • Examples:

- Warhammer 40,000 series

- Prince of Thorns, by Mark Lawrence

- The Malazan Empire, series by Ian C. Esslemont

- Best Served Cold, by Joe Abercrombie

- The Traitor Baru Cormorant, by Seth Dickinson

- The Poppy War, by RF Kuang

- The Assassin's Apprentice, By Robin Hobb

Gaslamp Fantasy

  • Fantasy set in or inspired by the Victorian or Edwardian eras, often featuring steampunk elements.
  • Combines the aesthetics and social structures of the 19th century with magical elements.
  • Examples:

- Gail Carriger's Parasol Protectorate series

- The Night Circus, by Erin Morgenstern

- The Glass Books of the Dream Eaters, by Gordon Dahlquist

- The Strange Case of the Alchemist’s Daughter, by Theodora Goss

- Soulless, by Gail Carriger

Weird Fantasy

  • Incorporates surreal, bizarre, or otherworldly elements.
  • Often defies conventional fantasy tropes, blending the fantastical with the strange and inexplicable
  • Examples:

- The City & the City, by China Miéville

- Annihilation, by Jeff VanderMeer


Fantasy of Manners

  • Focuses on social intrigue, etiquette, and the personal dynamics of the upper classes, often in a fantastical setting.
  • Emphasizes wit, dialogue, and social maneuvering, often with romantic or comedic elements.
  • Examples:

- Sorcery and Cecilia, by Patricia C. Wrede & Caroline Stevermer

- Tooth and Claw, by Jo Walton

- The Goblin Emperor, by Katherine Addison

- The Curse of Chalion, by Lois McMaster Bujold

- The Privilege of the Sword, by Ellen Kushner

- Howl’s moving Castle, by Diana Wynjones


Flintlock Fantasy

  • Set in a world where firearms and other early modern technologies coexist with magic.
  • Often set in or inspired by the 17th-19th centuries, focusing on military campaigns, revolutions, and the clash of technology and magic.
  • Examples:

- The Shadow Campaigns, by Django Wexler

- His Majesty's Dragon, by Naomi Novik

- The Powder Mage trilogy, by Brian McClellan


Links:


  continue reading

17 episodes

Artwork
iconShare
 
Manage episode 434748248 series 3593689
Content provided by Laurent & Marie-Noor. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Laurent & Marie-Noor or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.

Tales of the Tome

Our second part of the various Fantasy literature sub-genres we (dis)cover in this segment takes us from Urban Fantasy through Grimdark, to Flintlock Fantasy. Buckle up!

Urban Fantasy

  • Set in a contemporary urban environment
  • Magic and supernatural creatures exist in the modern world, often hidden from the public
  • Examples:

- The Dresden Files, by Jim Butcher

- Rivers of London, by Ben Aaronovitch

- Kate Daniels series, by Ilona Andrews

- October Daye series, by Seanan McGuire

- The Iron Druid Chronicles, by Kevin Hearne

Portal Fantasy

  • Characters travel from the real world to a magical or fantastical world through a portal.
  • Often involves a journey of discovery or adventure in a new world with its own rules and logic.
  • Examples:

- The Chronicles of Narnia, by C.S. Lewis

- Alice's Adventures in Wonderland, by Lewis Carroll

- The Dark is Rising, by Susan Cooper

- The Light Between Worlds, by Laura E. Weymouth

- The Fionavar Tapestry, by Guy Gavriel Kay

Mythic Fantasy

  • Incorporates elements of myth and legend into the narrative.
  • Often draws on classical mythology, folklore, or ancient legends to craft the story.
  • Examples:

- American Gods, by Neil Gaiman

- The Song of Achilles, by Madeline Miller

- The Dark is Rising, by Susan Cooper

- The Light Between Worlds, by Laura E. Weymouth

- The Fionavar Tapestry, by Guy Gavriel Kay

Science Fantasy

  • Blends elements of science fiction and fantasy.
  • Incorporates advanced technology alongside magical or supernatural elements.
  • Examples:

- Dune, by Frank Herbert

- The Hunger Games, by Suzanne Collins

- The Dark Tower, by Stephen King

- Shadowrun, RPG novels

- The Broken Earth Trilogy, by N.K. Jemisin

- Lord of Light, by Roger Zelazny

- Piranesi, by Susanna Clark

- Scythe, by Neil Shusterman

Grimdark

  • A sub-genre of Dark Fantasy that emphasizes bleak, dystopian settings with morally gray characters.
  • High levels of violence, despair, and often a pessimistic worldview.
  • Examples:

- Warhammer 40,000 series

- Prince of Thorns, by Mark Lawrence

- The Malazan Empire, series by Ian C. Esslemont

- Best Served Cold, by Joe Abercrombie

- The Traitor Baru Cormorant, by Seth Dickinson

- The Poppy War, by RF Kuang

- The Assassin's Apprentice, By Robin Hobb

Gaslamp Fantasy

  • Fantasy set in or inspired by the Victorian or Edwardian eras, often featuring steampunk elements.
  • Combines the aesthetics and social structures of the 19th century with magical elements.
  • Examples:

- Gail Carriger's Parasol Protectorate series

- The Night Circus, by Erin Morgenstern

- The Glass Books of the Dream Eaters, by Gordon Dahlquist

- The Strange Case of the Alchemist’s Daughter, by Theodora Goss

- Soulless, by Gail Carriger

Weird Fantasy

  • Incorporates surreal, bizarre, or otherworldly elements.
  • Often defies conventional fantasy tropes, blending the fantastical with the strange and inexplicable
  • Examples:

- The City & the City, by China Miéville

- Annihilation, by Jeff VanderMeer


Fantasy of Manners

  • Focuses on social intrigue, etiquette, and the personal dynamics of the upper classes, often in a fantastical setting.
  • Emphasizes wit, dialogue, and social maneuvering, often with romantic or comedic elements.
  • Examples:

- Sorcery and Cecilia, by Patricia C. Wrede & Caroline Stevermer

- Tooth and Claw, by Jo Walton

- The Goblin Emperor, by Katherine Addison

- The Curse of Chalion, by Lois McMaster Bujold

- The Privilege of the Sword, by Ellen Kushner

- Howl’s moving Castle, by Diana Wynjones


Flintlock Fantasy

  • Set in a world where firearms and other early modern technologies coexist with magic.
  • Often set in or inspired by the 17th-19th centuries, focusing on military campaigns, revolutions, and the clash of technology and magic.
  • Examples:

- The Shadow Campaigns, by Django Wexler

- His Majesty's Dragon, by Naomi Novik

- The Powder Mage trilogy, by Brian McClellan


Links:


  continue reading

17 episodes

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