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'Queens Of Creativity: Drag, Social Norms, and Cultural Production Beyond Intellectual Property': CIPIL Seminar

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Manage episode 455277226 series 3623930
Content provided by Faculty of Law, University of Cambridge, Faculty of Law, and University of Cambridge. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Faculty of Law, University of Cambridge, Faculty of Law, and University of Cambridge or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.

Speaker: Dr Eden Sarid, Essex Law School

Biography: Eden Sarid is a lecturer at Essex Law School. His research and teaching interests include intellectual property, land law, law and technology, and cultural heritage law.

Abstract: This study offers a new way of thinking through the questions of what drives creativity and the role that IP plays in creative production, by empirically examining how the drag subculture governed creativity, entitlements, and information-exchange over time. First, in the 1990s when drag was a counterculture and from the mid-2010s onwards, after transforming into a lucrative mainstream industry.

For more information see: https://www.cipil.law.cam.ac.uk/seminars-and-events/cipil-seminars

  continue reading

161 episodes

Artwork
iconShare
 
Manage episode 455277226 series 3623930
Content provided by Faculty of Law, University of Cambridge, Faculty of Law, and University of Cambridge. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Faculty of Law, University of Cambridge, Faculty of Law, and University of Cambridge or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.

Speaker: Dr Eden Sarid, Essex Law School

Biography: Eden Sarid is a lecturer at Essex Law School. His research and teaching interests include intellectual property, land law, law and technology, and cultural heritage law.

Abstract: This study offers a new way of thinking through the questions of what drives creativity and the role that IP plays in creative production, by empirically examining how the drag subculture governed creativity, entitlements, and information-exchange over time. First, in the 1990s when drag was a counterculture and from the mid-2010s onwards, after transforming into a lucrative mainstream industry.

For more information see: https://www.cipil.law.cam.ac.uk/seminars-and-events/cipil-seminars

  continue reading

161 episodes

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