In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Content provided by Edith Bowman. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Edith Bowman or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
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Daniel Blumberg On His Remarkable Score For The Brutalist
Manage episode 466646248 series 1242893
Content provided by Edith Bowman. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Edith Bowman or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
Our latest guest on Soundtracking is Daniel Blumberg, who might, by the time you're listening to this, have picked up a BAFTA for his incredible score to The Brutalist. It's Friday morning as we record this, so who knows what Sunday will bring (or indeed Oscar Night)? Regardless, Daniel has done an extraordinary job of providing the sonic backdrop to what is truly an extraordinary film. Edith was lucky enough to speak to writer / director Brady Corbett and one of his leads, Guy Pearce, a few weeks back, so do listen to that if you haven't already. Both go into great detail about the nuances of Daniel's work. But who better to really dive deep with than the man himself?
551 episodes
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Manage episode 466646248 series 1242893
Content provided by Edith Bowman. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Edith Bowman or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
Our latest guest on Soundtracking is Daniel Blumberg, who might, by the time you're listening to this, have picked up a BAFTA for his incredible score to The Brutalist. It's Friday morning as we record this, so who knows what Sunday will bring (or indeed Oscar Night)? Regardless, Daniel has done an extraordinary job of providing the sonic backdrop to what is truly an extraordinary film. Edith was lucky enough to speak to writer / director Brady Corbett and one of his leads, Guy Pearce, a few weeks back, so do listen to that if you haven't already. Both go into great detail about the nuances of Daniel's work. But who better to really dive deep with than the man himself?
551 episodes
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Similar to Soundtracking with Edith Bowman
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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…
continue reading
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