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CRIMES OF THE FUTURE (2022) // Daddy Cronenberg
Manage episode 473304954 series 2991030
Content provided by DeVaughn Taylor. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by DeVaughn Taylor or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
For the culmination of our David Cronenberg coverage, the boys discuss his long anticipated return to genre film Crimes of the Future. We discuss the film as a final thesis project, rapid evolution, and his complicated relationship with the term "body horror". Pain does indeed have a function
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Manage episode 473304954 series 2991030
Content provided by DeVaughn Taylor. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by DeVaughn Taylor or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
For the culmination of our David Cronenberg coverage, the boys discuss his long anticipated return to genre film Crimes of the Future. We discuss the film as a final thesis project, rapid evolution, and his complicated relationship with the term "body horror". Pain does indeed have a function
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Haunt Garrett on social media:
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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