Episode 195 - The Hill (1965)

Stinking Pause

The Stinking Pause Podcast - bringing you classic movies since 2013...some good, some not so good.

This week,Antony joins Scott to take a look at an incredible piece of cinema from Sidney Lumet

In a WWII British military prison in North Africa, new inmates face brutal punishment, epitomized by repeatedly climbing a man-made hill in the desert heat. Led by a defiant ex-Sergeant Major, the prisoners clash with sadistic guards, leading to a grim struggle for survival and exposing the camp's inhumanity.

Anthony is the host of Film Gold, Life And Life Only and Glass Onion: On John Lennon

The Hill (1965)

Sidney Lumet's 1965 cinematic work, "The Hill," presents a profound examination of the human condition under duress. The narrative is situated within the severe environs of a British military prison in North Africa during the Second World War. While the setting is undeniably extreme, the film illuminates the resilience and camaraderie that can manifest even in the most adverse circumstances. It transcends conventional war narratives to delve into the internal fortitude of soldiers confronting a distinct form of adversity.

The film introduces five new internees to the facility, each possessing a unique background and inherent strength that they bring to this demanding environment. Among them is Joe Roberts, portrayed by Sean Connery, a former Sergeant Major whose principled refusal to enact a perilous order resulted in his incarceration. Roberts' intellect and unwavering resolve serve as a quiet source of inspiration for his fellow prisoners. He is joined by the resourceful Monty Bartlett, the tenacious Jock McGrath, the initially reserved George Stevens, and the steadfastly resilient West Indian soldier, Jacko King, who confronts his tribulations with remarkable fortitude.

The prison staff offers a study in contrasting ideologies. Regimental Sergeant Major (RSM) Wilson embodies stern military tradition, espousing the belief that rigorous discipline forges stronger soldiers. His principal instrument for this is "the hill" – an artificial mound of sand that functions as an exacting test of endurance, designed to push prisoners to their physical and psychological limits. A significant antagonist is Staff Sergeant Williams, whose methods are frequently severe as he subjects the inmates to extreme pressures, ostensibly to prepare them for future combat. Offering an alternative perspective is Staff Sergeant Harris, a non-commissioned officer whose sense of fairness and empathy develops as he observes the prisoners' ordeals. The camp's Medical Officer also contends with the challenging equilibrium between his professional obligations and his humanitarian impulses.

The central drama of the film unfolds as the new prisoners, particularly the principled Roberts, endeavour to navigate the camp's rigorous routines and the notably stringent approach of Williams, all under the vigilant supervision of RSM Wilson. "The hill" becomes the primary arena wherein the men's endurance and spirit are perpetually tested. Williams frequently targets the newcomers, and Roberts, with his comprehensive understanding of military regulations and his refusal to be readily demoralised, emerges as a figure of quiet strength and resilience.

As the men encounter escalating pressures, their interpersonal bonds and individual resolve are brought into sharp focus. Williams' intense focus on Stevens, who struggles significantly with the harsh conditions, precipitates a tragic denouement. After being subjected to extreme exertion on the hill, Stevens succumbs. This profoundly affecting event galvanises Roberts, who courageously protests what he perceives as a grave injustice, with King bravely supporting his stance. Their actions ignite a potent demand for equitable treatment among the inmate population.

In the aftermath of this incident, RSM Wilson capably restores order, yet the event serves to bring underlying systemic issues to the forefront. Roberts himself faces further direct confrontation as a consequence of his protestations. Staff Sergeant Harris, motivated by his conscience and an evolving sense of justice, intervenes to ensure Roberts receives medical attention and advocates for a formal review of the camp's operational practices. The film concludes with a sense of qualified optimism. While the challenges inherent within the military prison system remain considerable, the actions of individuals such as Harris and Roberts demonstrate that the pursuit of fairness and dignity can indeed instigate change. Ultimately, "The Hill" showcases the enduring strength of the human spirit and the profound courage required to defend one's convictions, even amidst the most trying of circumstances.

"We're all doing time. Even the screws."

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