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Christopher Akerlind, Lighting Designer-Episode #321

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Manage episode 449777850 series 1440006
Content provided by Steve Cuden. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Steve Cuden or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.

Christopher Akerlind, has designed lighting, and occasionally scenery, for over 650 productions of theater, opera, and dance across the U.S. and around the world, including 24 shows on Broadway.

Chris’s recent work includes Waiting for Godot at Theatre for a New Audience, Lynn Nottage’s play Clyde’s on Broadway and at the Mark Taper Forum, The Light in the Piazza, for which he won his first Tony, Paula Vogel’s play Indecent, winning him both the Tony and Drama Desk Awards, Rocky the Musical, which garnered him a Tony nomination, Sting’s musical The Last Ship, and The Gershwin’s Porgy and Bess, for which he was also Tony nominated.

Among Chris’s other Broadway lighting designs are: August Wilson’s The Piano Lesson and Seven Guitars, Talk Radio, and the musical, Waitress.

Chris’s numerous shows not on Broadway include: Scene with Cranes for CalArts Center for New Performance; the premiere of M Butterfly for the Santa Fe Opera; and Martha Clarke’s devised pieces God’s Fool, Angel Reapers, and Cheri.

Chris has also received an Obie Award for Sustained Excellence, four Drama Desk Awards, the Michael Merritt Award for Design and Collaboration, two Chicago area Joseph Jefferson Awards, as well as numerous nominations for the Drama Desk, Lucille Lortel, and Outer Critics Circle Awards.

Chris has taught lighting design at schools like Cal Arts, USC, CMU, and his alma mater, Yale.

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360 episodes

Artwork
iconShare
 
Manage episode 449777850 series 1440006
Content provided by Steve Cuden. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Steve Cuden or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.

Christopher Akerlind, has designed lighting, and occasionally scenery, for over 650 productions of theater, opera, and dance across the U.S. and around the world, including 24 shows on Broadway.

Chris’s recent work includes Waiting for Godot at Theatre for a New Audience, Lynn Nottage’s play Clyde’s on Broadway and at the Mark Taper Forum, The Light in the Piazza, for which he won his first Tony, Paula Vogel’s play Indecent, winning him both the Tony and Drama Desk Awards, Rocky the Musical, which garnered him a Tony nomination, Sting’s musical The Last Ship, and The Gershwin’s Porgy and Bess, for which he was also Tony nominated.

Among Chris’s other Broadway lighting designs are: August Wilson’s The Piano Lesson and Seven Guitars, Talk Radio, and the musical, Waitress.

Chris’s numerous shows not on Broadway include: Scene with Cranes for CalArts Center for New Performance; the premiere of M Butterfly for the Santa Fe Opera; and Martha Clarke’s devised pieces God’s Fool, Angel Reapers, and Cheri.

Chris has also received an Obie Award for Sustained Excellence, four Drama Desk Awards, the Michael Merritt Award for Design and Collaboration, two Chicago area Joseph Jefferson Awards, as well as numerous nominations for the Drama Desk, Lucille Lortel, and Outer Critics Circle Awards.

Chris has taught lighting design at schools like Cal Arts, USC, CMU, and his alma mater, Yale.

  continue reading

360 episodes

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