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EDU GRAU - Cinematographer

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Manage episode 454943156 series 2664987
Content provided by James Ellis Deakins and Roger Deakins. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by James Ellis Deakins and Roger Deakins or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.

SEASON 2 - EPISODE 119 - Edu Grau - Cinematographer

Cinematographer Edu Grau (THE ROOM NEXT DOOR, PASSING, A SINGLE MAN) joins us in this episode of the Team Deakins Podcast. After an encouraging compliment from his art teacher, Edu attended a then-newly established film school in his hometown of Barcelona where he learned to foster his passion for filmmaking. Edu shares with us how, after a six month drought from work, he was selected by director Tom Ford to shoot A SINGLE MAN, and we reflect on working with actor/directors pulling double-duty. We later discuss Edu’s involvement on PASSING and the joy of shooting in black-and-white, and we ruminate on the nature of prep and the nagging anxiety of riding around in the van. Towards the end of the conversation, we later learn how Edu approached his work on THE ROOM NEXT DOOR and eschewed naturalism to help realize director Pedro Almodóvar’s unique vision.

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This episode is sponsored by Aputure

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315 episodes

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EDU GRAU - Cinematographer

Team Deakins

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Manage episode 454943156 series 2664987
Content provided by James Ellis Deakins and Roger Deakins. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by James Ellis Deakins and Roger Deakins or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.

SEASON 2 - EPISODE 119 - Edu Grau - Cinematographer

Cinematographer Edu Grau (THE ROOM NEXT DOOR, PASSING, A SINGLE MAN) joins us in this episode of the Team Deakins Podcast. After an encouraging compliment from his art teacher, Edu attended a then-newly established film school in his hometown of Barcelona where he learned to foster his passion for filmmaking. Edu shares with us how, after a six month drought from work, he was selected by director Tom Ford to shoot A SINGLE MAN, and we reflect on working with actor/directors pulling double-duty. We later discuss Edu’s involvement on PASSING and the joy of shooting in black-and-white, and we ruminate on the nature of prep and the nagging anxiety of riding around in the van. Towards the end of the conversation, we later learn how Edu approached his work on THE ROOM NEXT DOOR and eschewed naturalism to help realize director Pedro Almodóvar’s unique vision.

-

This episode is sponsored by Aputure

  continue reading

315 episodes

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