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Photographers Hate to Admit This… But It’s True

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Manage episode 490502198 series 1317199
Content provided by Raymond Hatfield. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Raymond Hatfield or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.

#574 In this episode of the podcast, I got brutally honest about an uncomfortable truth many photographers—myself included—often avoid: believing new gear will instantly make us better photographers. I dove into why so many of us, at some point, fixate on the idea that lack of equipment stands between us and the images we want to create. Drawing from my own experiences—like nearly convincing myself to buy a $7,500 Fujifilm GFX100 medium format camera after I left wedding photography—I shared how easy it is to fall into the "gear will fix it" trap, when what I really needed was to spend more time shooting.

I challenged listeners (and myself) to rekindle excitement by using the equipment we already own. Whether that’s taking a “camera date” or giving ourselves quirky creative assignments, the goal is to reconnect with the fun and freedom of shooting—without the pressure of perfection or the itch for an upgrade.

KEY TOPICS COVERED

  1. The Gear Myth and Creative Ruts - Raymond explains how photographers often blame their uninspiring work on having outdated or entry-level gear. He shares his own experience almost buying an expensive Fujifilm GFX100, only to realize his creative rut was due to not shooting, not his equipment.
  2. What Really Makes a Great Photo? - Instead of megapixels and advanced specs, Raymond outlines the four essential elements of great photography: moment, light, composition, and exposure. He likens the camera to a toaster—it’s the photographer’s decisions that determine the quality of the image.
  3. Practical Steps for Rekindling Creativity - To break out of gear-focused thinking, Raymond suggests simple exercises like going on a “camera date” with the least-used gear or imposing creative constraints. He also stresses the value of learning manual mode and studying light and composition.

IMPORTANT DEFINITIONS & CONCEPTS

Gear Acquisition Syndrome (GAS): The compulsion to buy new cameras or lenses as a solution to creative blocks or skill limitations; often a distraction from the real means of improvement.

DISCUSSION & REFLECTION QUESTIONS

  1. Think back to your favorite photo you’ve taken—what role did your gear actually play in the outcome?
  2. Have you ever felt creatively stagnant and blamed your equipment? What actions could you take instead?
  3. What are some ways you can challenge yourself to see new possibilities with the gear you already own?

Sign up for your free CloudSpot Account today at www.DeliverPhotos.com

Connect with Raymond!

Thanks for listening & keep shooting!

  continue reading

588 episodes

Artwork
iconShare
 
Manage episode 490502198 series 1317199
Content provided by Raymond Hatfield. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Raymond Hatfield or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.

#574 In this episode of the podcast, I got brutally honest about an uncomfortable truth many photographers—myself included—often avoid: believing new gear will instantly make us better photographers. I dove into why so many of us, at some point, fixate on the idea that lack of equipment stands between us and the images we want to create. Drawing from my own experiences—like nearly convincing myself to buy a $7,500 Fujifilm GFX100 medium format camera after I left wedding photography—I shared how easy it is to fall into the "gear will fix it" trap, when what I really needed was to spend more time shooting.

I challenged listeners (and myself) to rekindle excitement by using the equipment we already own. Whether that’s taking a “camera date” or giving ourselves quirky creative assignments, the goal is to reconnect with the fun and freedom of shooting—without the pressure of perfection or the itch for an upgrade.

KEY TOPICS COVERED

  1. The Gear Myth and Creative Ruts - Raymond explains how photographers often blame their uninspiring work on having outdated or entry-level gear. He shares his own experience almost buying an expensive Fujifilm GFX100, only to realize his creative rut was due to not shooting, not his equipment.
  2. What Really Makes a Great Photo? - Instead of megapixels and advanced specs, Raymond outlines the four essential elements of great photography: moment, light, composition, and exposure. He likens the camera to a toaster—it’s the photographer’s decisions that determine the quality of the image.
  3. Practical Steps for Rekindling Creativity - To break out of gear-focused thinking, Raymond suggests simple exercises like going on a “camera date” with the least-used gear or imposing creative constraints. He also stresses the value of learning manual mode and studying light and composition.

IMPORTANT DEFINITIONS & CONCEPTS

Gear Acquisition Syndrome (GAS): The compulsion to buy new cameras or lenses as a solution to creative blocks or skill limitations; often a distraction from the real means of improvement.

DISCUSSION & REFLECTION QUESTIONS

  1. Think back to your favorite photo you’ve taken—what role did your gear actually play in the outcome?
  2. Have you ever felt creatively stagnant and blamed your equipment? What actions could you take instead?
  3. What are some ways you can challenge yourself to see new possibilities with the gear you already own?

Sign up for your free CloudSpot Account today at www.DeliverPhotos.com

Connect with Raymond!

Thanks for listening & keep shooting!

  continue reading

588 episodes

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