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Stephanie Shonekan - Dean of Arts and Humanities, University of Maryland

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Manage episode 484028702 series 3573412
Content provided by Ashley Newby and John E. Drabinski, Ashley Newby, and John E. Drabinski. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Ashley Newby and John E. Drabinski, Ashley Newby, and John E. Drabinski or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.

This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.

Today’s conversation is with Stephanie Shonekan, who is Dean of the School of Arts and Humanities at University of Maryland, where she is also affiliate faculty in the Department of African American and Africana Studies. She is the author of a number of critical essays on music and the Black Studies tradition, with particular focus on the relationship between expressive culture and identity, and is the author of Soul, Country, and the USA: Race and Identity in American Music Culture (2015), Fela Anikulapo-Kuti’s Sorrow Tears and Blood (2025), and Race and the American Story, co-authored with Adam Seagrave in 2024. In this conversation, we discuss the place of musicological research in the field, the importance of transnational studies, and the challenges for Black Studies in higher-ed’s contemporary cultural and political moment.

  continue reading

130 episodes

Artwork
iconShare
 
Manage episode 484028702 series 3573412
Content provided by Ashley Newby and John E. Drabinski, Ashley Newby, and John E. Drabinski. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Ashley Newby and John E. Drabinski, Ashley Newby, and John E. Drabinski or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.

This is John Drabinski and you’re listening to The Black Studies podcast, a Mellon grant sponsored series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.

Today’s conversation is with Stephanie Shonekan, who is Dean of the School of Arts and Humanities at University of Maryland, where she is also affiliate faculty in the Department of African American and Africana Studies. She is the author of a number of critical essays on music and the Black Studies tradition, with particular focus on the relationship between expressive culture and identity, and is the author of Soul, Country, and the USA: Race and Identity in American Music Culture (2015), Fela Anikulapo-Kuti’s Sorrow Tears and Blood (2025), and Race and the American Story, co-authored with Adam Seagrave in 2024. In this conversation, we discuss the place of musicological research in the field, the importance of transnational studies, and the challenges for Black Studies in higher-ed’s contemporary cultural and political moment.

  continue reading

130 episodes

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