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A Most Dangerous Conspirator (The Count of Monte Cristo, Chapter 14 – Part 2)

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Manage episode 489387039 series 3640498
Content provided by Grunt Work Podcasts. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Grunt Work Podcasts or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.

Dangerous. Mad. Devil. These are the labels that bury men alive.

As the inspector’s visit to the Château d’If continues, we meet two prisoners: one feared, one mocked. The first—unnamed—is considered so violent that his descent into madness is seen as a mercy. The second, a laughing priest, is introduced as comic relief. But behind the farce lies a grim truth: this is a system where identity is imposed from above, and madness is the only way out. In this passage, Dumas sharpens his satire, showing us how bureaucracy weaponizes detachment.

Topics Covered:

•Bureaucracy as performance and survival

•The inspector’s shallow “philanthropy”

•Carceral labels and the politics of identity

•First reference to Abbé Faria

Support the show and access bonus episodes + full-length story-only audio:

👉 https://patreon.com/gruntworkpod

  continue reading

176 episodes

Artwork
iconShare
 
Manage episode 489387039 series 3640498
Content provided by Grunt Work Podcasts. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Grunt Work Podcasts or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.

Dangerous. Mad. Devil. These are the labels that bury men alive.

As the inspector’s visit to the Château d’If continues, we meet two prisoners: one feared, one mocked. The first—unnamed—is considered so violent that his descent into madness is seen as a mercy. The second, a laughing priest, is introduced as comic relief. But behind the farce lies a grim truth: this is a system where identity is imposed from above, and madness is the only way out. In this passage, Dumas sharpens his satire, showing us how bureaucracy weaponizes detachment.

Topics Covered:

•Bureaucracy as performance and survival

•The inspector’s shallow “philanthropy”

•Carceral labels and the politics of identity

•First reference to Abbé Faria

Support the show and access bonus episodes + full-length story-only audio:

👉 https://patreon.com/gruntworkpod

  continue reading

176 episodes

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