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Content provided by Canadian Cinema Editors. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Canadian Cinema Editors or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
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Manage episode 458779806 series 3073569
Content provided by Canadian Cinema Editors. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Canadian Cinema Editors or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
In this episode Sarah Taylor, CCE chats with Shane Reid and Dean Zimmerman, ACE, the talented editors behind Marvel’s massive box-office hit, DEADPOOL & WOLVERINE. We explore the creative process, challenges, and excitement of shaping these fan-favourite antiheroes on the big screen. Whether you’re a long time Marvel fan or curious about editing action, you won’t want to miss this insightful discussion about pacing, glistening abs, deleted scenes, and the unique dynamics of editing two of the most unpredictable heroes in cinema.
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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