In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Is 'The Brutalist' Monumental or Artificial?
Manage episode 460800457 series 3441560
Content provided by Kelsi and Trey. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Kelsi and Trey or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
Kelsi and Trey dive into Brady Corbet’s The Brutalist, a sprawling, visually stunning epic that explores the intersection of art, legacy, and the immigrant experience. We unpack its breathtaking opening sequence, the haunting score by Daniel Blumberg, and its ambitious narrative following László Tóth (Adrien Brody), a Holocaust survivor and architect navigating postwar America under the oppressive control of a manipulative patron (Guy Pearce). While we admire Corbet’s big filmmaking choices and meticulous design, we critique the film’s reliance on archetypes, tired tropes, blunt symbolism, and its reluctance to fully trust its audience. Is The Brutalist a modern cinematic masterpiece or a monument that struggles to stand out among giants?
The Extra Credits YouTube Channel
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Letterboxd: The Extra Credits
TikTok: The Extra Credits
Reddit: r/TheExtraCredits
Instagram: @theextracredits
Twitter: @theextracredits
Send requests, questions, and thoughts to our email: [email protected]
209 episodes
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Manage episode 460800457 series 3441560
Content provided by Kelsi and Trey. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Kelsi and Trey or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
Kelsi and Trey dive into Brady Corbet’s The Brutalist, a sprawling, visually stunning epic that explores the intersection of art, legacy, and the immigrant experience. We unpack its breathtaking opening sequence, the haunting score by Daniel Blumberg, and its ambitious narrative following László Tóth (Adrien Brody), a Holocaust survivor and architect navigating postwar America under the oppressive control of a manipulative patron (Guy Pearce). While we admire Corbet’s big filmmaking choices and meticulous design, we critique the film’s reliance on archetypes, tired tropes, blunt symbolism, and its reluctance to fully trust its audience. Is The Brutalist a modern cinematic masterpiece or a monument that struggles to stand out among giants?
The Extra Credits YouTube Channel
How to link Patreon to Spotify and Apple
Letterboxd: The Extra Credits
TikTok: The Extra Credits
Reddit: r/TheExtraCredits
Instagram: @theextracredits
Twitter: @theextracredits
Send requests, questions, and thoughts to our email: [email protected]
209 episodes
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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