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Emulsion Ep. 6 - Edo Choi and Alexander Fee on Mikio Naruse

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Content provided by The Film Stage. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Film Stage or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
In a city where the rents are too high, the subways are too slow, and morale barely hovers above cope, repertory options might make such troubles worthwhile. So one thinks while looking over Mikio Naruse: The World Betrays Us, a career-spanning, 35mm-rich, two-cinema retrospective that began last weekend at Japan Society and will continue at Metrograph. It was my pleasure to sit down with those theaters' respective programmers, Alexander Fee and Edo Choi, for a discussion of Naruse's necessity in both theatrical and celluloid contexts, titles of particularly special note, and––most importantly––the best places to eat in each institution's neighborhood. Japan Society: https://japansociety.org/film/mikio-naruse-the-world-betrays-us/ Metrograph: https://metrograph.com/category/mikio-naruse/ On the subject of film programming, I'll also note that my screening of Cymbeline (with filmmaker Michael Almereyda present for a Q&A) is this Friday––tickets may be purchased here: https://www.eventbrite.com/e/amnesiascope-cymbeline-with-michael-almereyda-qa-tickets-1352522103019?aff=ebdsoporgprofile
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400 episodes

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Manage episode 482262577 series 94809
Content provided by The Film Stage. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Film Stage or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
In a city where the rents are too high, the subways are too slow, and morale barely hovers above cope, repertory options might make such troubles worthwhile. So one thinks while looking over Mikio Naruse: The World Betrays Us, a career-spanning, 35mm-rich, two-cinema retrospective that began last weekend at Japan Society and will continue at Metrograph. It was my pleasure to sit down with those theaters' respective programmers, Alexander Fee and Edo Choi, for a discussion of Naruse's necessity in both theatrical and celluloid contexts, titles of particularly special note, and––most importantly––the best places to eat in each institution's neighborhood. Japan Society: https://japansociety.org/film/mikio-naruse-the-world-betrays-us/ Metrograph: https://metrograph.com/category/mikio-naruse/ On the subject of film programming, I'll also note that my screening of Cymbeline (with filmmaker Michael Almereyda present for a Q&A) is this Friday––tickets may be purchased here: https://www.eventbrite.com/e/amnesiascope-cymbeline-with-michael-almereyda-qa-tickets-1352522103019?aff=ebdsoporgprofile
  continue reading

400 episodes

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