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TFIA Issue #4 - Where did all the Soundseeing Tours go?

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Manage episode 464624392 series 2882434
Content provided by Josh Liston | @joshuacliston. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Josh Liston | @joshuacliston or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.

Where did all the Soundseeing Tours go in Podcasting?

TL;DR - Your Podcast doesn’t have to be an Interview Show or a Panel Show built (from format to presentation) to enable video production. It can be different, unique, more.

In 2012, when I first started ramping up my Podcast consumption into overdrive, one genre that I always enjoyed was the Soundseeing Tour genre. Travel, Language and Culture all wrapped up into an incredibly organic form of audio-storytelling. I’m not sure any Podcast genre has had me on the edge of my seat quite the way Soundseeing Tours did back in the day: What is going to happen next, and what will I hear next? So, I guess the question becomes, why aren’t Soundseeing Tours still getting produced, and if they are, why aren’t they getting shared, promoted and embraced by Podcast Listeners and/or the Podcasting Industry?

At the risk of sounding anti-video here (that’s not my intention), I think the reason is pretty clear, if your mindset is Video-First, then much of what makes Soundseeing Tours so unique can be easily reframed as uniquely-annoying elements of producing a show.

  • Planning for travel and recording locations.
  • Physical movement, and the ability to move and communicate at the same time.
  • Dealing with unknown environmental variables like weather, temperature, noise and human activity.
  • Permission and privacy considerations when recording on-location.
  • The increased need for advanced storytelling skills to describe the Tour / Location in the audio format.

Call me selfish, but I genuinely hope we see (and hear) a return of the Soundseeing Tours in 2025. I want to experience more audio tours from Japan, Africa, Newfoundland (Canada), and the Pacific North East in the USA. I miss closing my eyes and just escaping to a different part of the world.

Theatre of the Mind is real folks, and audio is where the magic starts.

…..

If you happen to have Listened to some unique audio in Podcasting lately, please post in the comments here on LinkedIn or DM Josh on Instagram @joshuacliston . Speak to you again soon, and bye for now.

  continue reading

232 episodes

Artwork
iconShare
 
Manage episode 464624392 series 2882434
Content provided by Josh Liston | @joshuacliston. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Josh Liston | @joshuacliston or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.

Where did all the Soundseeing Tours go in Podcasting?

TL;DR - Your Podcast doesn’t have to be an Interview Show or a Panel Show built (from format to presentation) to enable video production. It can be different, unique, more.

In 2012, when I first started ramping up my Podcast consumption into overdrive, one genre that I always enjoyed was the Soundseeing Tour genre. Travel, Language and Culture all wrapped up into an incredibly organic form of audio-storytelling. I’m not sure any Podcast genre has had me on the edge of my seat quite the way Soundseeing Tours did back in the day: What is going to happen next, and what will I hear next? So, I guess the question becomes, why aren’t Soundseeing Tours still getting produced, and if they are, why aren’t they getting shared, promoted and embraced by Podcast Listeners and/or the Podcasting Industry?

At the risk of sounding anti-video here (that’s not my intention), I think the reason is pretty clear, if your mindset is Video-First, then much of what makes Soundseeing Tours so unique can be easily reframed as uniquely-annoying elements of producing a show.

  • Planning for travel and recording locations.
  • Physical movement, and the ability to move and communicate at the same time.
  • Dealing with unknown environmental variables like weather, temperature, noise and human activity.
  • Permission and privacy considerations when recording on-location.
  • The increased need for advanced storytelling skills to describe the Tour / Location in the audio format.

Call me selfish, but I genuinely hope we see (and hear) a return of the Soundseeing Tours in 2025. I want to experience more audio tours from Japan, Africa, Newfoundland (Canada), and the Pacific North East in the USA. I miss closing my eyes and just escaping to a different part of the world.

Theatre of the Mind is real folks, and audio is where the magic starts.

…..

If you happen to have Listened to some unique audio in Podcasting lately, please post in the comments here on LinkedIn or DM Josh on Instagram @joshuacliston . Speak to you again soon, and bye for now.

  continue reading

232 episodes

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