When Machines Imitate Art: What a 1930s Philosopher Saw Coming

The Human Voice with Bob Hutchins

In this episode, I step back from the hype and headlines around generative AI to reflect on something deeper: what’s actually happening to our experience of art, creativity, and meaning when machines start making things that feel human.

I draw from the work of 1930s philosopher Walter Benjamin—who never saw a chatbot or image model in his life, but somehow understood the psychological and cultural impact of machine-made creativity with stunning clarity.

• What’s lost when everything becomes a copy

• Why “aura” and authenticity still matter

• The shift from ritual to exhibition in creative work

• What the Jason Allen AI art controversy reveals about our values

• How new forms of creative labor are emerging—and what that means for writers, artists, educators, and makers

• Why transparency might matter more than purity in a world of machine collaboration

This isn’t a takedown or a celebration of AI. It’s a reflection. A pause. A reminder that we’re not just building tools—we’re reshaping what it means to be human.

If you’re a teacher, a marketer, a business leader, a parent, or just someone trying to stay grounded in a rapidly changing world—this one's for you.

Resources Mentioned:

• Walter Benjamin, The Work of Art in the Age of Mechanical Reproduction

• The 2022 Colorado State Fair AI art controversy

• Stephen Marche’s AI-assisted novella Death of an Author

• Artwork- James Allen’s - Théâtre D'opéra Spatial

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Let’s keep asking better questions.

—Bob Hutchins