In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Ep. 331: Eva Victor, writer-director of Sorry, Baby, on the film’s influences and her recent viewing
Manage episode 492187224 series 2792919
Content provided by The Last Thing I Saw and Nicolas Rapold. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Last Thing I Saw and Nicolas Rapold or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
Ep. 331: Eva Victor, writer-director of Sorry, Baby, on the film’s influences and her recent viewing Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. I’ve been eager for people to see Eva Victor’s Sorry, Baby ever since I saw it at Sundance (where it picked up a prize). A wonder of a film, it’s the funny and moving story of a woman working through trauma, with Victor playing the leading role, opposite Naomi Ackie (Mickey 17) and Lucas Hedges (Manchester by the Sea). The writer-director brings her tonal and emotional precision both as a performer and as a writer to a debut feature that blazes its own path (distinct from the comedic shorts that were my first introduction to her work). I was delighted to speak with Victor about influences on the film (ranging from Certain Women to The Handmaiden and beyond), as well as her recent viewing. Sorry, Baby is in theaters now, distributed by A24. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass
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332 episodes
Ep. 331: Eva Victor, writer-director of Sorry, Baby, on the film’s influences and her recent viewing
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Manage episode 492187224 series 2792919
Content provided by The Last Thing I Saw and Nicolas Rapold. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Last Thing I Saw and Nicolas Rapold or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
Ep. 331: Eva Victor, writer-director of Sorry, Baby, on the film’s influences and her recent viewing Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. I’ve been eager for people to see Eva Victor’s Sorry, Baby ever since I saw it at Sundance (where it picked up a prize). A wonder of a film, it’s the funny and moving story of a woman working through trauma, with Victor playing the leading role, opposite Naomi Ackie (Mickey 17) and Lucas Hedges (Manchester by the Sea). The writer-director brings her tonal and emotional precision both as a performer and as a writer to a debut feature that blazes its own path (distinct from the comedic shorts that were my first introduction to her work). I was delighted to speak with Victor about influences on the film (ranging from Certain Women to The Handmaiden and beyond), as well as her recent viewing. Sorry, Baby is in theaters now, distributed by A24. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass
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Similar to The Last Thing I Saw
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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