In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Content provided by Adam Green and ArieScope Pictures. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Adam Green and ArieScope Pictures or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
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Ep 627: Austin Snell
Manage episode 487699557 series 2394319
Content provided by Adam Green and ArieScope Pictures. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Adam Green and ArieScope Pictures or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
PUBLIC VERSION. Filmmaker Austin Snell (THEY CALL HER DEATH) joins Adam and Joe in the ArieScope studio to discuss his micro-budget western throwback - now available on Shudder. From the scene in TEMPLE OF DOOM that changed his life… to balancing a day job with making films… to how movies like EVIL DEAD and EL MARIACHI influenced his drive to make a “no-fi flick”… to the role that the pandemic played in pushing him to round up his friends and family and shoot his love letter to Leone, Corbucci, and Fulci on 16mm for a meager budget of $40,000… to his decision to not just write and direct but also produce, DP, edit, and score THEY CALL HER DEATH… to the impression that the film has made at festivals and during its roadshow release across the country… to the art of a good snap zoom… Austin’s story will inspire you to grab a camera, gather up some friends and start shooting immediately!
Don’t miss YORKIETHON IX happening LIVE July 25th - 27th! Stay tuned to ArieScope.com and patreon.com/TheMovieCrypt for more details over the coming weeks!
444 episodes
Share
Manage episode 487699557 series 2394319
Content provided by Adam Green and ArieScope Pictures. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Adam Green and ArieScope Pictures or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
PUBLIC VERSION. Filmmaker Austin Snell (THEY CALL HER DEATH) joins Adam and Joe in the ArieScope studio to discuss his micro-budget western throwback - now available on Shudder. From the scene in TEMPLE OF DOOM that changed his life… to balancing a day job with making films… to how movies like EVIL DEAD and EL MARIACHI influenced his drive to make a “no-fi flick”… to the role that the pandemic played in pushing him to round up his friends and family and shoot his love letter to Leone, Corbucci, and Fulci on 16mm for a meager budget of $40,000… to his decision to not just write and direct but also produce, DP, edit, and score THEY CALL HER DEATH… to the impression that the film has made at festivals and during its roadshow release across the country… to the art of a good snap zoom… Austin’s story will inspire you to grab a camera, gather up some friends and start shooting immediately!
Don’t miss YORKIETHON IX happening LIVE July 25th - 27th! Stay tuned to ArieScope.com and patreon.com/TheMovieCrypt for more details over the coming weeks!
444 episodes
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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Go offline with the Player FM app!
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