Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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Content provided by The Music History Project and NAMM Resource Center. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Music History Project and NAMM Resource Center or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
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EP. 143 - Jazz With Father Doran
Manage episode 484059011 series 2084298
Content provided by The Music History Project and NAMM Resource Center. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Music History Project and NAMM Resource Center or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
Digging deep into the NAMM Oral History collection, our podcast team unearthed some remarkable jazz treasures we’re excited to share with you! In this special episode, we’re joined by Father Doran Stambaugh, priest at St. Michael’s Church in Carlsbad and host of a unique weekly jazz service called Evening Song. Together, we’ll explore powerful interview moments from some of jazz’s most iconic voices, including Miles Davis’ bassist Ron Carter, Louis Armstrong’s trombonist Trummy Young, Clora Bryant of the International Sweethearts of Rhythm, New Orleans trumpeter and composer Terence Blanchard, and legendary Blue Note recording engineer Rudy Van Gelder.
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143 episodes
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Manage episode 484059011 series 2084298
Content provided by The Music History Project and NAMM Resource Center. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Music History Project and NAMM Resource Center or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
Digging deep into the NAMM Oral History collection, our podcast team unearthed some remarkable jazz treasures we’re excited to share with you! In this special episode, we’re joined by Father Doran Stambaugh, priest at St. Michael’s Church in Carlsbad and host of a unique weekly jazz service called Evening Song. Together, we’ll explore powerful interview moments from some of jazz’s most iconic voices, including Miles Davis’ bassist Ron Carter, Louis Armstrong’s trombonist Trummy Young, Clora Bryant of the International Sweethearts of Rhythm, New Orleans trumpeter and composer Terence Blanchard, and legendary Blue Note recording engineer Rudy Van Gelder.
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Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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continue reading
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continue reading
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…
continue reading
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continue reading
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this podcast is going to be all about 60's music. the goal with this podcast is to educate a younger generation on one of the greatest decades of music of all time, and to prove to people that Millennials can love 60's music as well and it's not just for Baby boomers. Each week I"m going to review one song by one artist from the 60's and split the podcast into two halfs. first half is going to be my perspective and my opinion on the song and why I think it's so good or why I don't think it's ...
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