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#458: Fanged Attraction, Pt. 1 — Bram Stoker's Dracula
Manage episode 462227868 series 3311217
Content provided by Telegraph Road Productions and Filmspotting Network. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Telegraph Road Productions and Filmspotting Network or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
The heightened gothic sensibility of Robert Eggers’ new NOSFERATU recalls — in its intensity if not its precise contours — BRAM STOKER’S DRACULA, Francis Ford Coppola’s feverish 1992 horror-romance that follows the same story from a markedly different perspective. This led us to reconsider Coppola’s flawed but fascinating DRACULA as a film that, even if it arguably never achieves greatness, inarguably leaves an impression. Yes, Keanu Reeves’ accent is part of that impression, but so is the film’s grandiose art design, its recasting of Dracula as a tragic romantic antihero, and its overall commitment to cinematic maximalism, for better or worse.
Please share your comments, thoughts, and questions about BRAM STOKER’S DRACULA, NOSFERATU, and anything else in the world of film by sending an email or voice memo to [email protected], or leaving a short voicemail at (773) 234-9730.
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481 episodes
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Manage episode 462227868 series 3311217
Content provided by Telegraph Road Productions and Filmspotting Network. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Telegraph Road Productions and Filmspotting Network or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
The heightened gothic sensibility of Robert Eggers’ new NOSFERATU recalls — in its intensity if not its precise contours — BRAM STOKER’S DRACULA, Francis Ford Coppola’s feverish 1992 horror-romance that follows the same story from a markedly different perspective. This led us to reconsider Coppola’s flawed but fascinating DRACULA as a film that, even if it arguably never achieves greatness, inarguably leaves an impression. Yes, Keanu Reeves’ accent is part of that impression, but so is the film’s grandiose art design, its recasting of Dracula as a tragic romantic antihero, and its overall commitment to cinematic maximalism, for better or worse.
Please share your comments, thoughts, and questions about BRAM STOKER’S DRACULA, NOSFERATU, and anything else in the world of film by sending an email or voice memo to [email protected], or leaving a short voicemail at (773) 234-9730.
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481 episodes
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