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Content provided by Wes Evans: Actor, Filmmaker, Director, Writer; Todd Sapio: Actor, Producer, Musician, Athlete, Wes Evans: Actor, and Writer; Todd Sapio: Actor. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Wes Evans: Actor, Filmmaker, Director, Writer; Todd Sapio: Actor, Producer, Musician, Athlete, Wes Evans: Actor, and Writer; Todd Sapio: Actor or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
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Ep 321: “The Road” (2009)

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Manage episode 480916385 series 1929460
Content provided by Wes Evans: Actor, Filmmaker, Director, Writer; Todd Sapio: Actor, Producer, Musician, Athlete, Wes Evans: Actor, and Writer; Todd Sapio: Actor. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Wes Evans: Actor, Filmmaker, Director, Writer; Todd Sapio: Actor, Producer, Musician, Athlete, Wes Evans: Actor, and Writer; Todd Sapio: Actor or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.

We trek across Cormac McCarthy’s “The Road” and discuss:

  • Cinematography, compositions, first frame last frame;
  • Story & Writing, structure, morality, terse dialog;
  • and other such stuff and things and stuff.

Every good and perfect gift is from above, coming down from the Father of the heavenly lights, who does not change like shifting shadows. – James 1:17 (Bible verse)

Notes & References:
John Hillcoat (IMDB) – directed “Lawless”, “The Proposition”
Kodi Smit-McPhee (wiki) – had been acting a couple years prior to The Road
Final note! SPOILERS FOLLOWING THIS WARNING: So I mentioned in the rundown that I’d talk about the first frame / last frame and totally forgot to deliver that note, but in the context of the film looking at the world being dead and how the boy was referred to being an angel and word of God and that he’s carrying “the light” — I find it interesting that the first frame is before the nuclear fallout, it’s a shot of leaves on a tree, feels like spring, a time of growth after winter…and the final shot is of the boy. I think it’s painting a picture (especially with the context of the bird and the beetle in preceding scenes) of life returning through the light that is the boy, and spring life is returning after this era of cold hard death. -wes

Watch us on YouTube!


This Week’s Recommendations:

The Road” by Cormac McCarthy (Amazon) / “American Sniper” (IMDB)

The post Ep 321: “The Road” (2009) appeared first on The Pestle.

  continue reading

324 episodes

Artwork
iconShare
 
Manage episode 480916385 series 1929460
Content provided by Wes Evans: Actor, Filmmaker, Director, Writer; Todd Sapio: Actor, Producer, Musician, Athlete, Wes Evans: Actor, and Writer; Todd Sapio: Actor. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Wes Evans: Actor, Filmmaker, Director, Writer; Todd Sapio: Actor, Producer, Musician, Athlete, Wes Evans: Actor, and Writer; Todd Sapio: Actor or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.

We trek across Cormac McCarthy’s “The Road” and discuss:

  • Cinematography, compositions, first frame last frame;
  • Story & Writing, structure, morality, terse dialog;
  • and other such stuff and things and stuff.

Every good and perfect gift is from above, coming down from the Father of the heavenly lights, who does not change like shifting shadows. – James 1:17 (Bible verse)

Notes & References:
John Hillcoat (IMDB) – directed “Lawless”, “The Proposition”
Kodi Smit-McPhee (wiki) – had been acting a couple years prior to The Road
Final note! SPOILERS FOLLOWING THIS WARNING: So I mentioned in the rundown that I’d talk about the first frame / last frame and totally forgot to deliver that note, but in the context of the film looking at the world being dead and how the boy was referred to being an angel and word of God and that he’s carrying “the light” — I find it interesting that the first frame is before the nuclear fallout, it’s a shot of leaves on a tree, feels like spring, a time of growth after winter…and the final shot is of the boy. I think it’s painting a picture (especially with the context of the bird and the beetle in preceding scenes) of life returning through the light that is the boy, and spring life is returning after this era of cold hard death. -wes

Watch us on YouTube!


This Week’s Recommendations:

The Road” by Cormac McCarthy (Amazon) / “American Sniper” (IMDB)

The post Ep 321: “The Road” (2009) appeared first on The Pestle.

  continue reading

324 episodes

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