Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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Content provided by Justine Piehowski and Radio Ga Ga. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Justine Piehowski and Radio Ga Ga or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
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The Killers, "Hot Fuss"
Manage episode 274990084 series 2532231
Content provided by Justine Piehowski and Radio Ga Ga. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Justine Piehowski and Radio Ga Ga or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
“Hot Fuss” is one of my all-time favorite albums. In this episode, I'm diving in to the history of the album and how it came to be the Killers' signature work. My guest is Jon Landman of The Syndicate, who worked with the Killers in their earliest days to help promote the band and get “Hot Fuss” on American radio. We talk about the “Murder Trilogy,” the Bruce Springsteen and Duran Duran comparisons, how to write a song about your former bully, and why we don’t see a ton of bands coming out of Las Vegas.
95 episodes
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Manage episode 274990084 series 2532231
Content provided by Justine Piehowski and Radio Ga Ga. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Justine Piehowski and Radio Ga Ga or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
“Hot Fuss” is one of my all-time favorite albums. In this episode, I'm diving in to the history of the album and how it came to be the Killers' signature work. My guest is Jon Landman of The Syndicate, who worked with the Killers in their earliest days to help promote the band and get “Hot Fuss” on American radio. We talk about the “Murder Trilogy,” the Bruce Springsteen and Duran Duran comparisons, how to write a song about your former bully, and why we don’t see a ton of bands coming out of Las Vegas.
95 episodes
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Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
…
continue reading
In For Scores, host Jon Burlingame takes listeners on a magical journey into the world of film and television composers, revealing never-before-heard special moments behind many of today's most beloved scores. This season, you'll hear personal stories from the composers of Marvel Studios Avengers and Pixar's Toy Story films, Captain Marvel, Coco, Ralph Breaks the Internet, and so much more!
…
continue reading
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…
continue reading
An independent radio station from Tel Aviv. For music lovers by music lovers.
…
continue reading
The Sounds in My Head is a biweekly music show featuring songs and bands you might have missed. Hosted by Daniel since 2004. Musically The Sounds in My Head attempts to be fairly eclectic, but probably tends to lean towards "indie pop" music. Also, I try to squeeze in as much left-wing propaganda as possible between tracks.
…
continue reading
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