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208 | Writing Animated Children's TV: A Crash Course w/ Lorien
Manage episode 433138939 series 2856508
Content provided by Meg LeFauve & Lorien McKenna, Meg LeFauve, and Lorien McKenna. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Meg LeFauve & Lorien McKenna, Meg LeFauve, and Lorien McKenna or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
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Animation is a MEDIUM, not a genre. This, among many other important lessons on today's episode, is one of the first things Lorien tells people who are interested in writing animated TV for children. Today we discuss how to break into children's animated TV, how production considerations weigh into the writing process, and what it means to signal a "red alert" in your work (hint: this is a good thing).
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Manage episode 433138939 series 2856508
Content provided by Meg LeFauve & Lorien McKenna, Meg LeFauve, and Lorien McKenna. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Meg LeFauve & Lorien McKenna, Meg LeFauve, and Lorien McKenna or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
JOIN TSL WORKSHOPS: www.tslworkshops.circle.so
Animation is a MEDIUM, not a genre. This, among many other important lessons on today's episode, is one of the first things Lorien tells people who are interested in writing animated TV for children. Today we discuss how to break into children's animated TV, how production considerations weigh into the writing process, and what it means to signal a "red alert" in your work (hint: this is a good thing).
Learn more about your ad choices. Visit megaphone.fm/adchoices
264 episodes
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