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193. Anaïs Mitchell (HADESTOWN creator, songwriter/singer) – sometimes the god speaks through you

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Manage episode 232709730 series 2301134
Content provided by Big Think / Panoply. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Big Think / Panoply or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.

Among other things, music can be medicine. Like a vaccine, it sometimes works by giving your body a little taste of the disease. Other times, of course, you just wanna dance, and James Brown might be just what you need. But the medicine songs I’m talking about are the ones that break your heart open no matter many times you hear them. And you want them to—because that’s what it feels like to be alive.

Nobody knows this better than my guest today, singer-songwriter Anaïs Mitchell. Like the centuries of blues and folk songs that echo through it, transubstantiated by her voice and guitar into something almost too beautiful to bear, her music is powerful medicine.

Anaïs wrote all the songs, lyrics and the book of the new (14x Tony-nominated!) Broadway musical, HADESTOWN, directed by Rachel Chavkin. It makes new again the ancient story of the singer-songwriter Orpheus and his lover Eurydice, who he follows all the way to hell, and leads most of the way back again.

Learn more about your ad choices. Visit podcastchoices.com/adchoices

  continue reading

237 episodes

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iconShare
 
Manage episode 232709730 series 2301134
Content provided by Big Think / Panoply. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Big Think / Panoply or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.

Among other things, music can be medicine. Like a vaccine, it sometimes works by giving your body a little taste of the disease. Other times, of course, you just wanna dance, and James Brown might be just what you need. But the medicine songs I’m talking about are the ones that break your heart open no matter many times you hear them. And you want them to—because that’s what it feels like to be alive.

Nobody knows this better than my guest today, singer-songwriter Anaïs Mitchell. Like the centuries of blues and folk songs that echo through it, transubstantiated by her voice and guitar into something almost too beautiful to bear, her music is powerful medicine.

Anaïs wrote all the songs, lyrics and the book of the new (14x Tony-nominated!) Broadway musical, HADESTOWN, directed by Rachel Chavkin. It makes new again the ancient story of the singer-songwriter Orpheus and his lover Eurydice, who he follows all the way to hell, and leads most of the way back again.

Learn more about your ad choices. Visit podcastchoices.com/adchoices

  continue reading

237 episodes

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