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348 – BPM

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Manage episode 491799989 series 3418602
Content provided by Joe and Chris. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Joe and Chris or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.

We close out Pride Month with one of our favorite queer films from the past decade, 2017’s BPM. From French director Robin Campillo, BPM follow a group of ACT UP activists during the height of the AIDS epidemic. With Campillo’s emotional and intuitive style of observation, the film shows the labors of political organization in all the warts of in-fighting and disagreement, but also the beauty of human connection amidst dire circumstances. The film was France’s International Feature submission, but didn’t even make the shortlist despite its high acclaim.

This episode, we discuss what makes the film all the moving and valuable in our current moment. We also talk about Nahuel Perez Biscayart’s moving lead performance, France’s current dry spell of winning the International Feature Oscar, and the Cannes Film Festival where BPM won the Grand Prix.

Topics also include The Orchard, gay people not being a monolith, and other 2017 queer movies.

  continue reading

300 episodes

Artwork

348 – BPM

This Had Oscar Buzz

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Manage episode 491799989 series 3418602
Content provided by Joe and Chris. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Joe and Chris or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.

We close out Pride Month with one of our favorite queer films from the past decade, 2017’s BPM. From French director Robin Campillo, BPM follow a group of ACT UP activists during the height of the AIDS epidemic. With Campillo’s emotional and intuitive style of observation, the film shows the labors of political organization in all the warts of in-fighting and disagreement, but also the beauty of human connection amidst dire circumstances. The film was France’s International Feature submission, but didn’t even make the shortlist despite its high acclaim.

This episode, we discuss what makes the film all the moving and valuable in our current moment. We also talk about Nahuel Perez Biscayart’s moving lead performance, France’s current dry spell of winning the International Feature Oscar, and the Cannes Film Festival where BPM won the Grand Prix.

Topics also include The Orchard, gay people not being a monolith, and other 2017 queer movies.

  continue reading

300 episodes

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