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347 – Take This Waltz

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Manage episode 490385415 series 3420892
Content provided by Joe and Chris. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Joe and Chris or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.

After a career as an actress, Sarah Polley made her directorial debut with Away From Her, landing Oscar nominations for both her screenplay and Julie Christie’s performance. Her follow-up would be a slight gear shift: the intimate character study of infidelity, Take This Waltz. The film stars Michelle Williams as a writer who begins to feel a divide between her and her husband (Seth Rogen), exacerbated by her lust for her rickshaw-operating neighbor (Luke Kirby).

This episode, we talk about our love for Polley and the film’s inquisitive (if a bit divisive) portrait of marital malaise. We also discuss Sarah Silverman’s well-regarded supporting performance, Rogen’s very booked-and-busy first years of stardom, and the film’s expert use of “Video Killed the Radio Star.”

Topics also include Toronto geography, Dying for Sex, and Williams joins our Six Timers Club.

  continue reading

300 episodes

Artwork
iconShare
 
Manage episode 490385415 series 3420892
Content provided by Joe and Chris. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Joe and Chris or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.

After a career as an actress, Sarah Polley made her directorial debut with Away From Her, landing Oscar nominations for both her screenplay and Julie Christie’s performance. Her follow-up would be a slight gear shift: the intimate character study of infidelity, Take This Waltz. The film stars Michelle Williams as a writer who begins to feel a divide between her and her husband (Seth Rogen), exacerbated by her lust for her rickshaw-operating neighbor (Luke Kirby).

This episode, we talk about our love for Polley and the film’s inquisitive (if a bit divisive) portrait of marital malaise. We also discuss Sarah Silverman’s well-regarded supporting performance, Rogen’s very booked-and-busy first years of stardom, and the film’s expert use of “Video Killed the Radio Star.”

Topics also include Toronto geography, Dying for Sex, and Williams joins our Six Timers Club.

  continue reading

300 episodes

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