Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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17 Supply and Demand in Classical Music with Kosta Ruslanov
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Manage episode 265818722 series 131754
Content provided by Markdavin Obenza. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Markdavin Obenza or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
A LIVE conversation with Dr. Kosta Ruslanov, PhD about the role of economics in the Classical music business. We talk about Supply and Demand in music, conceptualizing the 'price' of a musician in economic terms, Taylor Swift and the Matthew effect, ratio of music graduates to available jobs, digital content, importance of adding complementary skillsets, Netflix/Patreon model for digital content, and government funding in music. Support THISCHOIRNERD on patreon for access to exclusive interviews and musical tech content! https://www.patreon.com/thischoirnerd Support Dr. Kosta Ruslanov, PhD on Patreon: https://www.patreon.com/UncleKosta And on YouTube: https://youtu.be/BElMA23-GkA Referenced books: The Economics of Music (The Economics of Big Business) https://a.co/iUxuiWd The Perilous Life of Symphony Orchestras: Artistic Triumphs and Economic Challenges https://www.amazon.ca/dp/0300171935/ref=cm_sw_r_tw_dp_x_rCM-EbYD63CP *Average % of government support for Canadian orchestras: 40% of total income. For the EU it's around 70%, for the US around 10% -The Perilous life of Symphony Orchestras, chapter 7 (for the US), and chapter 10 for the EU and Canada
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27 episodes
MP3•Episode home
Manage episode 265818722 series 131754
Content provided by Markdavin Obenza. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Markdavin Obenza or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
A LIVE conversation with Dr. Kosta Ruslanov, PhD about the role of economics in the Classical music business. We talk about Supply and Demand in music, conceptualizing the 'price' of a musician in economic terms, Taylor Swift and the Matthew effect, ratio of music graduates to available jobs, digital content, importance of adding complementary skillsets, Netflix/Patreon model for digital content, and government funding in music. Support THISCHOIRNERD on patreon for access to exclusive interviews and musical tech content! https://www.patreon.com/thischoirnerd Support Dr. Kosta Ruslanov, PhD on Patreon: https://www.patreon.com/UncleKosta And on YouTube: https://youtu.be/BElMA23-GkA Referenced books: The Economics of Music (The Economics of Big Business) https://a.co/iUxuiWd The Perilous Life of Symphony Orchestras: Artistic Triumphs and Economic Challenges https://www.amazon.ca/dp/0300171935/ref=cm_sw_r_tw_dp_x_rCM-EbYD63CP *Average % of government support for Canadian orchestras: 40% of total income. For the EU it's around 70%, for the US around 10% -The Perilous life of Symphony Orchestras, chapter 7 (for the US), and chapter 10 for the EU and Canada
…
continue reading
27 episodes
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