In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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Lisztomania!
Manage episode 478894263 series 2921094
Content provided by The Retrospectors. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Retrospectors or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
he German poet and journalist Heinrich Heine coined the term “Lisztomania” on 25th April 1844 to describe the phenomenon of frenzied fandom in Europe where women would physically assault Franz Liszt by tearing his clothes, fighting over broken piano strings and locks of his shoulder-length hair.
Heine said there was something about Liszt’s performances that “raised the mood of audiences to a level of mystical ecstasy” – which seemed to be a result of the combination of his good looks, his charisma and his stage presence.
In this episode, Arion, Rebecca and Olly explain how Liszt created an almost parasocial relationship with his fan base; investigate why critics are still reproving of expressive concert pianists to this day; and discuss whether the Heine was trying to extort money from performers like Liszt in exchange for better reviews…
Further Reading:
• ‘The Virtuoso Liszt’ (Cambridge University Press, 2002): The Virtuoso Liszt - Google Books: https://www.google.co.uk/books/edition/The_Virtuoso_Liszt/koSQAjlxeOIC?hl=en&gbpv=1&dq=lisztomania&pg=PA203&printsec=frontcover
• ‘Forget the Beatles – Liszt was music's first “superstar”’ (BBC Culture, 2016): https://shorturl.at/eipIP
• ‘Lisztomania: the 19th-century pop phenomenon that made Beatlemania look tame’ (The Telegraph, 2019): https://shorturl.at/lwNOP
• ‘Before Beatlemania, There Was Lisztomania’ (Great Big Story, 2020): https://www.youtube.com/watch?v=3sjCA8OPobw
Love the show? Support us!
Join 🌴CLUB RETROSPECTORS🌴to DITCH THE ADS and get an additional full-length episode each SUNDAY…
… Plus, get weekly bonus bits, and unlock over 100 bits of extra content.
Join now with a free trial on Apple Podcasts or Patreon and support our show ❤️
The Retrospectors are Olly Mann, Rebecca Messina & Arion McNicoll, with Matt Hill.
Theme Music: Pass The Peas. Announcer: Bob Ravelli. Graphic Design: Terry Saunders. Edit Producer: Ollie Peart
Copyright: Rethink Audio / Olly Mann 2025.
This episode first aired in 2023
Learn more about your ad choices. Visit podcastchoices.com/adchoices
1065 episodes
Share
Manage episode 478894263 series 2921094
Content provided by The Retrospectors. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Retrospectors or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
he German poet and journalist Heinrich Heine coined the term “Lisztomania” on 25th April 1844 to describe the phenomenon of frenzied fandom in Europe where women would physically assault Franz Liszt by tearing his clothes, fighting over broken piano strings and locks of his shoulder-length hair.
Heine said there was something about Liszt’s performances that “raised the mood of audiences to a level of mystical ecstasy” – which seemed to be a result of the combination of his good looks, his charisma and his stage presence.
In this episode, Arion, Rebecca and Olly explain how Liszt created an almost parasocial relationship with his fan base; investigate why critics are still reproving of expressive concert pianists to this day; and discuss whether the Heine was trying to extort money from performers like Liszt in exchange for better reviews…
Further Reading:
• ‘The Virtuoso Liszt’ (Cambridge University Press, 2002): The Virtuoso Liszt - Google Books: https://www.google.co.uk/books/edition/The_Virtuoso_Liszt/koSQAjlxeOIC?hl=en&gbpv=1&dq=lisztomania&pg=PA203&printsec=frontcover
• ‘Forget the Beatles – Liszt was music's first “superstar”’ (BBC Culture, 2016): https://shorturl.at/eipIP
• ‘Lisztomania: the 19th-century pop phenomenon that made Beatlemania look tame’ (The Telegraph, 2019): https://shorturl.at/lwNOP
• ‘Before Beatlemania, There Was Lisztomania’ (Great Big Story, 2020): https://www.youtube.com/watch?v=3sjCA8OPobw
Love the show? Support us!
Join 🌴CLUB RETROSPECTORS🌴to DITCH THE ADS and get an additional full-length episode each SUNDAY…
… Plus, get weekly bonus bits, and unlock over 100 bits of extra content.
Join now with a free trial on Apple Podcasts or Patreon and support our show ❤️
The Retrospectors are Olly Mann, Rebecca Messina & Arion McNicoll, with Matt Hill.
Theme Music: Pass The Peas. Announcer: Bob Ravelli. Graphic Design: Terry Saunders. Edit Producer: Ollie Peart
Copyright: Rethink Audio / Olly Mann 2025.
This episode first aired in 2023
Learn more about your ad choices. Visit podcastchoices.com/adchoices
1065 episodes
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Similar to Today In History with The Retrospectors
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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