In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Episode 224 - The Heartbreak Kid
Manage episode 481818326 series 2892463
Content provided by Uncut Gems Podcast. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Uncut Gems Podcast or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
In this episode of the show our Elaine May May continues with her sophomore directorial effort The Heartbreak Kid. Over the course of our conversation you will hear us dig deep into the movie to find how it subverts the genre and works as a polar reversal of The Graduate, how the many production woes surrounding this movie proved that Hollywood was a hostile environment for female filmmakers at the time and whether there is a metaphorical plane of interpretation for this movie that comments on both the industry and Elaine May's career as well. We also talk about the two female leads in this movie and how one of them disappears never to return, Charles Grodin's performance that must have informed Ben Stiller's work in the future and the subtle humor embedded in otherwise innocent conversations around food.
Tune in and enjoy!
Hosts: Jakub Flasz & Randy Burrows
Intro: Infraction - Cassette
Outro: Infraction - Daydream
Head over to uncutgemspodcast.com to find all of our archival episodes and more!
Follow us on Twitter (@UncutGemsPod), IG (@UncutGemsPod) and Facebook (@UncutGemsPod)
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Subscribe to our Patreon! (patreon.com/uncutgemspod)
358 episodes
Share
Manage episode 481818326 series 2892463
Content provided by Uncut Gems Podcast. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Uncut Gems Podcast or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
In this episode of the show our Elaine May May continues with her sophomore directorial effort The Heartbreak Kid. Over the course of our conversation you will hear us dig deep into the movie to find how it subverts the genre and works as a polar reversal of The Graduate, how the many production woes surrounding this movie proved that Hollywood was a hostile environment for female filmmakers at the time and whether there is a metaphorical plane of interpretation for this movie that comments on both the industry and Elaine May's career as well. We also talk about the two female leads in this movie and how one of them disappears never to return, Charles Grodin's performance that must have informed Ben Stiller's work in the future and the subtle humor embedded in otherwise innocent conversations around food.
Tune in and enjoy!
Hosts: Jakub Flasz & Randy Burrows
Intro: Infraction - Cassette
Outro: Infraction - Daydream
Head over to uncutgemspodcast.com to find all of our archival episodes and more!
Follow us on Twitter (@UncutGemsPod), IG (@UncutGemsPod) and Facebook (@UncutGemsPod)
Buy us a coffee over at Ko-Fi.com (ko-fi.com/uncutgemspod)
Subscribe to our Patreon! (patreon.com/uncutgemspod)
358 episodes
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Similar to Uncut Gems Podcast
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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We see The Sci-Fi Christian, in all its iterations, as being about the collision between faith and nerdom. We believe that good genre fiction is about more than just entertainment. We seek to engage with the themes and philosophies behind our favorite stories, wrestling with the big ideas within speculative fiction. We’re unabashedly nerdy and unabashedly Christian. Even if your faith background differs from ours, we look forward to interacting with you at The Sci-Fi Christian!
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