Artwork

Content provided by Mark Scarbrough. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Mark Scarbrough or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
Player FM - Podcast App
Go offline with the Player FM app!

Hugh Capet's Antiphon: PURGATORIO, Canto XX, Lines 97 - 123

32:46
 
Share
 

Manage episode 475471751 series 2798649
Content provided by Mark Scarbrough. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Mark Scarbrough or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.

Hugh Capet has spent a long time answering the pilgrim Dante's first question: who were you? He now turns to the pilgrim's second question: why did I only hear your voice on this terrace?

In doing so, Hugh begins to sing antiphonally . . . or at least, he begins to list off those who have been done in by avarice, the quickest and tightest list of figures in PURGATORIO.

Why is this list so full of figures yet so curt in its style? And why does Hugh seem to come to the end of his speech so abruptly?

Join me, Mark Scarbrough, as we try to answer these and other questions at the conclusions of Hugh Capet's monumental monologue.

If you'd like to make a contribution to underwrite the many fees for this podcast, you can do so as either a one-time donation or through a small monthly stipend. To do either, please go to this PayPal link right here.

Here are the segments for this episode of WALKING WITH DANTE:

[01:31] My English translation of the passage: PURGATORIO, Canto XX, lines 97 - 123. If you'd like to read along or continue the conversation with me, please find this episode among those for WALKING WITH DANTE on my website, markscarbrough.com.

[04:01] Hugh's abrupt transition from one answer to his second.

[08:46] Our questions about glossing and polyphony.

[12:29] Hugh Capet's brief list of the tragic figures of avarice.

[22:18] Spurred to what? Your own choice?

[26:26] Two rationales for the shortness of these lines about the greedy figures.

[30:11] Rereading the passage: PURGATORIO, Canto XX, lines 97 - 123.

  continue reading

405 episodes

Artwork
iconShare
 
Manage episode 475471751 series 2798649
Content provided by Mark Scarbrough. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Mark Scarbrough or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.

Hugh Capet has spent a long time answering the pilgrim Dante's first question: who were you? He now turns to the pilgrim's second question: why did I only hear your voice on this terrace?

In doing so, Hugh begins to sing antiphonally . . . or at least, he begins to list off those who have been done in by avarice, the quickest and tightest list of figures in PURGATORIO.

Why is this list so full of figures yet so curt in its style? And why does Hugh seem to come to the end of his speech so abruptly?

Join me, Mark Scarbrough, as we try to answer these and other questions at the conclusions of Hugh Capet's monumental monologue.

If you'd like to make a contribution to underwrite the many fees for this podcast, you can do so as either a one-time donation or through a small monthly stipend. To do either, please go to this PayPal link right here.

Here are the segments for this episode of WALKING WITH DANTE:

[01:31] My English translation of the passage: PURGATORIO, Canto XX, lines 97 - 123. If you'd like to read along or continue the conversation with me, please find this episode among those for WALKING WITH DANTE on my website, markscarbrough.com.

[04:01] Hugh's abrupt transition from one answer to his second.

[08:46] Our questions about glossing and polyphony.

[12:29] Hugh Capet's brief list of the tragic figures of avarice.

[22:18] Spurred to what? Your own choice?

[26:26] Two rationales for the shortness of these lines about the greedy figures.

[30:11] Rereading the passage: PURGATORIO, Canto XX, lines 97 - 123.

  continue reading

405 episodes

All episodes

×
 
Loading …

Welcome to Player FM!

Player FM is scanning the web for high-quality podcasts for you to enjoy right now. It's the best podcast app and works on Android, iPhone, and the web. Signup to sync subscriptions across devices.

 

Quick Reference Guide

Listen to this show while you explore
Play