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Virgil's Silence And A First Glimpse Of Paradise: PURGATORIO, Canto XXIV, Lines 1 - 15

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Content provided by Mark Scarbrough. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Mark Scarbrough or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.

PURGATORIO, Canto XXIV, is set as a direct continuation from Canto XXIII. The poet Dante cues us to the continuation but there nevertheless are a couple of subtle disruptions.

For one thing, Virgil has been silence for most of Canto XXIII and will indeed remain silent throughout Canto XXIV, his longest silence yet in COMEDY. We won’t hear anything from him until well into Canto XXV.

And in this on-going conversation with Forese Donati, we get our first glimpse of Paradise, after curiously understanding that the human will is strong enough to slow down its progress even to that place, its ultimate goal.

Join me, Mark Scarbrough, as we work through the opening lines of our on-going time among the gluttons on the sixth terrace of Mount Purgatory.

Here are the segments for this episode of WALKING WITH DANTE:

[01:49] My English translation of the passage: PURGATORIO, Canto XXIV, lines 1 - 15. If you'd like to read along or continue the conversation with me, please find the entry for this episode on my website, markscarbrough.com.

[03:12] Canto XXIV is a continuation of Canto XXIII--and Virgil remains silent.

[06:33] The "redead" is a reference to Jude 12 in the New Testament.

[10:49] Does Ulysses enter into this passage?

[11:50] The human will can even slow down its ultimate desire, the central motivation of the universe.

[14:15] Mentioning Piccarda Donati gives us a fuller glimpse of Paradise ahead . . . and a classical glimpse.

[16:48] Pain and solace are the core of the prophetic voice.

[21:39] Rereading the passage: PURGATORIO, Canto XXIV, lines 1 - 15.

  continue reading

417 episodes

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iconShare
 
Manage episode 491538561 series 2798649
Content provided by Mark Scarbrough. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Mark Scarbrough or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.

PURGATORIO, Canto XXIV, is set as a direct continuation from Canto XXIII. The poet Dante cues us to the continuation but there nevertheless are a couple of subtle disruptions.

For one thing, Virgil has been silence for most of Canto XXIII and will indeed remain silent throughout Canto XXIV, his longest silence yet in COMEDY. We won’t hear anything from him until well into Canto XXV.

And in this on-going conversation with Forese Donati, we get our first glimpse of Paradise, after curiously understanding that the human will is strong enough to slow down its progress even to that place, its ultimate goal.

Join me, Mark Scarbrough, as we work through the opening lines of our on-going time among the gluttons on the sixth terrace of Mount Purgatory.

Here are the segments for this episode of WALKING WITH DANTE:

[01:49] My English translation of the passage: PURGATORIO, Canto XXIV, lines 1 - 15. If you'd like to read along or continue the conversation with me, please find the entry for this episode on my website, markscarbrough.com.

[03:12] Canto XXIV is a continuation of Canto XXIII--and Virgil remains silent.

[06:33] The "redead" is a reference to Jude 12 in the New Testament.

[10:49] Does Ulysses enter into this passage?

[11:50] The human will can even slow down its ultimate desire, the central motivation of the universe.

[14:15] Mentioning Piccarda Donati gives us a fuller glimpse of Paradise ahead . . . and a classical glimpse.

[16:48] Pain and solace are the core of the prophetic voice.

[21:39] Rereading the passage: PURGATORIO, Canto XXIV, lines 1 - 15.

  continue reading

417 episodes

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