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Shine Louise Houston: BLM + 15 yrs of Crash Pad Series

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Manage episode 265382958 series 61284
Content provided by Why Are People Into That?! and Tina Horn. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Why Are People Into That?! and Tina Horn or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.

On May 11th, I recorded an episode remotely with Shine, about 15 years of Crash Pad Series, and a second part about voyeurism. On June 24th, I called her back to get her perspective on the Movement for Black Lives. This is part one, including our talks about BLM and CPS. Voyeurism coming soon. //

“If you tell professionals what to do they won’t riff. If you tell amateurs what to do they ignore you. What I found was that the more I took myself out, the more organic the scene could be… The only thing I needed to control was the cameras…” //

In which I call Crash Pad Series the Law and Order of Queer P*rn, Shine explains the origin story of the CPS themes and production values, and her take on the narratives of a sex scene. //

Shine Louise Houston is the founding producer and director of Pink and White Productions (CrashPadSeries.com, PinkLabel.tv). During a five-year position at the women-owned sx toy purveyor Good Vibrations, Shine recognized an underserved demand for an alternative to mainstream p*rnography. In 2005, she quit her day job to form a p*rn company, kickstarting a renaissance in queer-made p*rn. A graduate from the San Francisco Arts Institute with a Bachelors in Fine Art Film, Shine has always had a unique vision for adult cinema. Her work has been recognized for its craft and cultural contribution to LGBTQ communities around the world.

Support this show http://supporter.acast.com/yapit.

Support this show http://supporter.acast.com/yapit.


Hosted on Acast. See acast.com/privacy for more information.

  continue reading

172 episodes

Artwork
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Manage episode 265382958 series 61284
Content provided by Why Are People Into That?! and Tina Horn. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Why Are People Into That?! and Tina Horn or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.

On May 11th, I recorded an episode remotely with Shine, about 15 years of Crash Pad Series, and a second part about voyeurism. On June 24th, I called her back to get her perspective on the Movement for Black Lives. This is part one, including our talks about BLM and CPS. Voyeurism coming soon. //

“If you tell professionals what to do they won’t riff. If you tell amateurs what to do they ignore you. What I found was that the more I took myself out, the more organic the scene could be… The only thing I needed to control was the cameras…” //

In which I call Crash Pad Series the Law and Order of Queer P*rn, Shine explains the origin story of the CPS themes and production values, and her take on the narratives of a sex scene. //

Shine Louise Houston is the founding producer and director of Pink and White Productions (CrashPadSeries.com, PinkLabel.tv). During a five-year position at the women-owned sx toy purveyor Good Vibrations, Shine recognized an underserved demand for an alternative to mainstream p*rnography. In 2005, she quit her day job to form a p*rn company, kickstarting a renaissance in queer-made p*rn. A graduate from the San Francisco Arts Institute with a Bachelors in Fine Art Film, Shine has always had a unique vision for adult cinema. Her work has been recognized for its craft and cultural contribution to LGBTQ communities around the world.

Support this show http://supporter.acast.com/yapit.

Support this show http://supporter.acast.com/yapit.


Hosted on Acast. See acast.com/privacy for more information.

  continue reading

172 episodes

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