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Writers in Cannes: Sound of Falling and Sirat
Manage episode 483085690 series 3341961
Content provided by John Bleasdale and Film Stories. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by John Bleasdale and Film Stories or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
Thomas Schultz joins me to review the first few days of Cannes, including Amelie Bonnin’s Leave One Day, Mascha Schilinski’s Sound of Falling, Dominic Moll’s Dossier 137 and Oliver Laxe’s Sirat.
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Manage episode 483085690 series 3341961
Content provided by John Bleasdale and Film Stories. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by John Bleasdale and Film Stories or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://ppacc.player.fm/legal.
Thomas Schultz joins me to review the first few days of Cannes, including Amelie Bonnin’s Leave One Day, Mascha Schilinski’s Sound of Falling, Dominic Moll’s Dossier 137 and Oliver Laxe’s Sirat.
Learn more about your ad choices. Visit megaphone.fm/adchoices
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Similar to Writers on Film
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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